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Yogi Bear (2010)

Completely Boring!!!

Between the 2010 horror film Bear, the creepy 2002 film The Country Bears, and this mess, I don’t think I’ve seen one single decent bear movie in years. The three all have one common problem of being mediocre films, but they both can be excused because at least they don’t use the dreaded CGI effects that this horrendous adaptation of the cartoon classic uses. I think I’d be complaining too if the film took The Country Bears route and used real bear suits, which only means this film couldn’t win no matter which direction it took. Unless it used the classic style of animation the timeless cartoon did. Now that is some wishful thinking.

The voice acting is the thing that redeems the film a little bit. Yogi’s voice isn’t perfect, but I accepted it since it was Dan Akroyd. Boo Boo’s voice wasn’t too bad either surprisingly since JT was the voice. While the voices aren’t that perfect, it’s one of the few high points the film does have. Pretty much everything else is two dimensional, loud. and overly silly. Like all kids movies now.

The story takes place where it should, Jellystone Park. There inhabits some of finest scenery, the freshest of air, and the talking, pic-a-nic basket stealing Yogi Bear. Jellystone Park starts taking a beating when tourists are attracted to amusement parks more than the wilderness. Mayor Brown (Andrew Daly) states that he will close Jellystone and sell the land. Yogi (Akroyd) and Boo Boo (Timberlake) make it their priority to team up with Ranger Smith (Tom Cavanagh) and Rachel (Anna Faris), a documentary filmmaker filming some of her movie at the park, to save Jellystone and it’s lovely scenery.

I just can’t get over the fact that this is LIVE ACTION. If something started out as a cartoon, just leave it has one. I’m sure Hanna-Barbera didn’t think in fifty years their beloved bear would be seen on the big screen complete in CGI and unnecessary 3D. This is the same execution taken during the film Alvin and the Chipmunks and the dreadful Scooby Doo movie. Make everything else live action, and leave the main star(s) for the CGI.

The one film where I can accept the fact it mixed live action with animation is Who Framed Roger Rabbit?. Besides being a fun film, it was also new for the time. Nothing like that had been done, and it didn’t go cartooning around with the audience. Plus it wasn’t just kid orientated, it had a lot of crude humor to itself that many adults would find fun. I can say with a straight face that if Who Discovered Roger Rabbit? does get made, this could certainly see a remake too, done with CGI. Lord have some mercy.

It’s also strange that the humans just cope with having a talking bear live in their park. If I was a ranger, and there were two talking bears living in my park that were stealing picnic baskets, and running around doing whatever they please. I think I’d either scream, or send them to a zoo. In the cartoon, the rangers didn’t seem to care if the bear could talk or what. But that was a CARTOON, they were supposed to be used to it. In a cartoon, logic doesn’t apply. There is such a thing as being overly cartoony, but back in the 50′s, 60′s, 70′s, and 80′s it was part of the act. Now shows like Spongebob Squarepants and pretty much every PBS show takes the “cartooning” WAY too far.

While watching this film, I couldn’t help but reflect on when I went to The Yogi Bear Campground many times during my childhood. The place was pretty much a traditional campground, but had various Yogi Bear themes. There was the Ranger Station, which served as the souvenir shop. It had a lake, similar to the one in the film, where people could go alone or with a friend out on the lake in a paddle boat. Plus it showed Friday night movies, and a Yogi cartoon frequently.

Besides having a lot to offer, it was miserable. Plain miserable for me. Me, my parents, and a lot of their friends with kids would get together and spend three days, two nights out there. Usually around Halloween weekend where a lot of events were held. No matter what year we went, it would be rainy and crappy. The campers were mediocre, very compressed, and somewhat unkempt, and being that we wouldn’t stay too long, my parents and I would refrain from taking a shower. So were already dirty, and all the time we spent outside in the rain probably made up for our missed showers. There are a lot of other events I don’t want to get into because I myself hate reflecting on them.

When I read in 2008 a CGI/live action adaptation of Yogi Bear was going to be made, I wasn’t surprised and I wasn’t happy. When the trailer premiered a few months ago I was ranting on it as well. I caved it and saw it to say I did, and came out sorry for my foolish actions. It will most likely keep the kid’s entertained because of it’s color, it’s loud effects, and flat out goofy premise. But with it’s lame jokes, abrupt, protruding CGI, and annoying human characters, Yogi Bear makes for an unnecessary and tedious trip to the theater.

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Water for Elephants (2011)

, I’ll try to tell you a bit of what I thought about “Water for Elephants”, without spoiling anything. I have not read the novel (even though I plan to do it now) so I’m only offering my views on the movie.

First of all: It’s amazingly beautiful. The costumes and sets are gorgeous, the cinematography is exquisite, the animals are cute (especially Rosie the elephant) and the three leads are very easy on the eyes as well.

Robert Pattinson was actually quite good. This was a surprise to me, since I didn’t really think he was anything special in any of the Twilight movies or “Remember Me”. He looked very appropriate for the time the movie was set in, and even though I love Emile Hirsch (who auditioned for Jacob too) I’m confident that Robert was the best choice there was for this role, it was perfect for him. Hal Holbrook was also very fitting for the role of older Jacob. The two actors really made me believe that they were the same person in different stages of his life.

Reese Witherspoon was okay. She looked beautiful, was charming and cute but it felt like something was missing – however, I can’t think of any other actress I would have liked better in the role, so I came to the conclusion that it was probably the character Marlena that was a little bland, not Reese.

But the true star of this movie was Christoph Waltz. I may be a bit biased since I loved him in “Inglorious Basterds”, but he was even more perfect in this movie. His portrayal of August was amazing, he made him likable and interesting and I was always compelled by his scenes. The character reminded me a lot of Miles in “King Kong” (played by Jack Black), a character that also wanted fame and success more than anything and used questionable and even cruel methods to get it. He was terrifying in some scenes too, but always believable. Also, in the beginning of the movie i really felt the chemistry between August and Marlena, which made the character even more interesting; however, I did feel like Jacob and Marlena had chemistry too, and in my opinion this way it was more realistic (both men loved her and she also cared about both of them).

I loved the movie, and I really recommend it to everyone. I would sincerely give it 10/10 stars. Of course there was some parts of the movie I didn’t like (particularly towards the end of it), but overall it was a magical, spectacular and epic period movie, and I can’t wait to see it again!

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Hop (2011)

The Easter Bunny is to Easter what Santa Claus is to Christmas. Legend has it that both the Easter Bunny and Santa Claus go around people’s houses at night before their respective days bringing gifts- though in the case of the Easter Bunny, these tend to be more specific to coloured eggs, candy and chocolates. Despite their similarities, Hollywood seems to favour Santa Claus over the Easter Bunny, going by the number of Yuletide-themed films around the plump, jolly, white-bearded man in a red suit and the dearth of films about the latter.

Cinco Paul and Ken Daurio however attempt to change that with their part-live action, part-animated romp “Hop”, a through and through family film centred around the Easter Bunny. Also the writers of last summer’s surprising hit for Chris Meledandri’s Illumination Entertainment’s “Despicable Me”, Paul and Daurio display much less of their ingenuity this time round. Indeed, their adaptation of the Easter Bunny legend borrows too heavily from Yuletide films like “Elf”, “Fred Claus” and in particular “The Santa Clause” that it almost feels that they have merely switched elves for chicks, reindeers also for chicks and Santa for the Easter Bunny.

The references are apparent right from the start, when we are first introduced to the Easter factory where all the candy and chocolates for the kids are prepared. Production designer Richard Holland’s vision of this is no more than “Charlie and the Chocolate Factory” crossed with Santa’s workshop in any of the films mentioned above, and despite the riot of colours, there’s little wildly inventive that will make you go ‘wow’. Same goes for the Easter Bunny’s mode of transportation, which is really an egg-shaped sleigh pulled by hundreds of tiny chicks; or the source of its magical powers, derived from the Egg of Destiny or the equivalent of a Santa suit.

Paul and Daurio’s reliance on these Yuletide film tropes extends as well to the plot of the movie, which essentially is the story of the heir- apparent to the Easter Bunny throne, E. B. (voiced by Russell Brand, who also makes a live-action cameo later on) absconding his responsibilities to pursue his dreams of musical superstardom much to the chagrin of his father (Hugh Laurie). You can probably guess the narrative pretty much from here on end- just add in another out-of-work slacker, Fred (James Marsden), who is in the same real-life situation as E.B. with his father (Gary Cole).

Besides sorting out their own father-son issues, E.B. and Fred will also spend time bickering with each other, before bonding through a fictional David Hasselhoff (playing himself) reality show “Hoff Knows Talent” (an all-too obvious riff on “America’s Got Talent”) and a sing-along at a school play where both take turns singing ‘I Want Candy’. There’s also a subplot which sees E.B’s father’s number two, a duplicitous Spanish chick Carlos (voiced by Hank Azaria), insinuating that he be crowned the next Easter Bunny in E.B’s absence- but this is played for little more than to allow for an frenetic action-packed finale at the end.

Though originality isn’t one of its strong suits, director Tim Hill’s (Alvin and the Chipmunks) film does take- pardon the pun- more than a few hops in the right direction. Most prominently, Hill’s experience with such part-animation, part-live action fare is amply demonstrated in the seamless blend of E.B. and the rest of the computer-generated animals with their human counterparts- special mention goes to E.B, whose features and expressions are beautifully and vividly animated. Impressive too is Illumination Entertainment’s ability to create ‘oh-so- adorable’ sidekick characters, the chicks including Carlos and the over- enthusiastic prone-to-dancing Phil reminiscent of the little yellow minions from “Despicable Me” and equally irresistible.

Hill has also assembled a lively voice cast led by the vivacious Russell Brand. Though there is none of the raunchiness usually associated with him (think “Get Him to the Greek”), Brand’s distinctive laid-back charm is still intact and fits his character perfectly. Just as outstanding is Hank Azaria’s voicing of both Carlos and Phil. Though the two characters couldn’t be more different in nature, Azaria finds a unique voice for each, and is especially good at delivering Carlos’ punchlines with aplomb- who can forget Carlos’ line ‘It’s called a coup d’état which is a French for coup d’état!’

And thanks to Brand and Azaria’s voice talents, as well as the excellent blend of live-action and animation, “Hop” still proves to be more than agreeable family entertainment- even if laugh-out-loud moments are fewer and further-in-between than one would expect. Not to mention of course that the familiarity with Yuletide films of Santa Claus is unmistakable, which also makes “Hop” just as undemanding, if not unexceptional, fare as most of these movies. Still, it’s colourful, it’s buoyant, and it’s cute, so that’s definitely enough to keep the kids entertained.


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