• The Secret World of Arrietty
     
      http://bartybooks.com/the-secret-world-of-arrietty.htm
  • Gone
     
      http://bartybooks.com/gone.htm
  • Wanderlust
     
      http://bartybooks.com/wanderlust.htm
  • This Means War
     
      http://bartybooks.com/this-means-war.htm
  • Ghost Rider: Spirit of Vengeance
     
      http://bartybooks.com/ghost-rider-spirit-of-vengeance.htm
  • The Vow
     
      http://bartybooks.com/the-vow.htm
  • Safe House
     
      http://bartybooks.com/safe-house.htm
Home » dir » What Happens After The Credits For The Gray

The Devil Inside Review

The movie is only about an hour and 15 minutes. Nothing after the credits and the credits are the slowest scrolling credits I’ve ever seen in my life. My assumption is that it scrolled so slowly because there weren’t a lot of people who worked on the film (since the cast was small and budget was low) and they didn’t want the run time to be so short as to devalue the movie and discourage people from paying to see it; thinking they wouldn’t get much bang for the buck. I guess they had to do something to extend it and this is what they chose.

It’s filmed in a found footage/documentary style that works for the movie. It doesn’t use too many cheap or jump scares. The only bad acting belonged to the chick who played Isabella Rossi. The most important character in the entire movie is actually the person filming everything named Michael and he gets the least amount of face time and dialogue. None of the footage would even exist if he wasn’t filming. Therefore, without him, no movie. He does express that during an MTV’s Real World type confessional. There actually is a story here. It’s not just a bunch of things happening on screen with no rhyme or reason. The story itself is very good. I like it. It’s not necessarily original but the way the movie ends, if there is a sequel, it would have to be filmed in a more traditional movie-making style. That means no found footage. I just gave something away if you’re paying attention.

There are intentional holes left in the movie that can only be answered with a sequel. Like Maria Rossi’s possession. Why was she chosen to be possessed, why did the demon who possessed her make her do what she did, and which demon possessed her? I think exorcism as a whole could be explored more since part of the theme of this movie is the law surrounding the act of exorcism and how it needs to change. Another theme is distinguishing between mental illness and possession; a separation of science and religion. I liked what they were doing here by exploring other aspects of an overused genre but all the questions weren’t answered. That’s not a bad thing. A different twist is similar to what was done in the movie Fallen and that concept was explained during the movie.

If you’re gonna see this, and I’d give this a thumbs up to see it, then go when there’s gonna be less people in the auditorium or see it at a reputable theater and that’s what I recommend for every movie anyway. This movie ain’t worth full price. Catch a matinĂ©e or half price or something. Dollar movie works too. It’s worth seeing in theaters.

This movie didn’t back down on violence. Just when I thought they weren’t gonna show certain things, they showed it and I appreciated that. No watering down here although I believe some brief nudity in one scene would have added to the realism. This also reminds me of REC but this isn’t anywhere near as good as that. REC, when watched under the right conditions, will stay with you for a while. It burns an image into your head that doesn’t go away and that’s what a good horror movie is supposed to do: make you look over your shoulder and around corners and through shower curtains and keeps you awake at night. REC does just that and gives a compelling story. This also has a good story that I’d really like to see continued if it makes enough money because, similar to REC, it appears there’s something bigger going on and this first installment only scratches the surface. It teases more and I believe it can deliver with a second movie.

The way the movie ends, there was a collective sigh of disappointment. It leaves you wanting more and since that’s what made people disappointed, I’d say it did its job. It also makes you wonder because there is something that happens in that last scene and you don’t know who the survivor is. That’s all I’ll say about that. The last scene was unique and a bit funny given the circumstances, I’ll give it that much. It was original. If that last survivor is who it should be, then we have a sequel if they ever make it and I’d love to see it at an equal or better level of quality. No complaints about the special effects which weren’t that many to begin with. I give this 7 out of 10 stars. Not a bad movie. Worth seeing. Not too scary but I’m sure some people will be affected by certain scenes because it doesn’t use too many tricks to get the job done. It has a very creepy scene that affects you as if you were watching the movie Session 9. It’s short but effective and that describes the entire movie. Just make sure to watch this with the right people in the right environment.


Fast Tube by Casper

the gray movie after credits, what happens in the movie atm, the gray ending after credits, what happens after the credits in the gray, the gray after the credits, atm movie ending
Home » dir » What Happens After The Credits For The Gray

Stake Land (2010)

Stake Land is a dark vision of a post-apocalyptic America that stands out in a sea of formulaic look-alikes. In director Jim Mickle’s world, creatures who blur the line between vampires and zombies are creeping northward toward the Canadian border and eating everyone in their path. This is no typical genre film, though, as the real story unfolds slowly and deliberately with surprises at every turn.

Nick Damici is “Mister,” vampire hunter and mentor to orphaned teen Martin (Connor Paolo) as they fight “the vamps” on their trek to New Eden, a monster-free zone where humanity has staked a claim. But darkness is the real enemy here, as they only come out at night, of course. Then there are the cult groups who see the plague as a golden opportunity to spread their own unique brands of oppression.

A veteran film crew member, this is Jim Mickle’s second feature as a director. He co-wrote the script with Damici, who stars along with Paolo, Danielle Harris (Belle), Kelly McGillis (Sister), and Michael Cerveris (Jebedia Loven). The production team includes genre icon Larry Fessenden.

Utilizing mostly exterior shots, Stake Land’s look is appropriately dreary, grimy, and gray. The cool color palette of blues and muted earth tones enhance the dullness of life in this dying landscape. Each new stop along the way seems to shout, “Abandon hope, all ye who enter here.” The viewer can almost smell the stench of death and feel the blood being drained, literally, from the victims’ bodies. Ryan Samul’s widescreen cinematography serves to punctuate the diminishing importance of the individual on this sad but still breathtaking landscape. Yes, there is still hope in them thar’ hills.

The music masterfully matches the combination of horror and poignancy. Jeff Grace has composed a score that is a character unto itself. Like the best genre films, the soundtrack serves to telegraph only slightly the horrors to come without overpowering the narrative with heavy-handed cues.

Most of all, though, Stake Land is a character-driven coming-of-age tale. Mister is an effective father figure to Martin, whose past is a mystery but can be gleaned from the circumstances surrounding their unlikely relationship. Damici’s Charles Bronson/Clint Eastwood works even in his slightly over-the-top characterization. Gruff yet tender when called for, violent yet gentle toward those he protects, Damici is pitch-perfect.

But it’s Paolo’s narration that leaves no doubt the story is being told from Martin’s point of view. He struck me as someone to watch for in the midst of the darkness that is Snow Angels. In a film that is distinctly down, he provided most of the much-needed comic relief. He began his film career in Mystic River and played the young Alexander in the film of the same name. He’s made nine feature films and numerous television appearances since the age of 12, including two highly acclaimed episodes of Law & Order: Special Victims Unit. Paolo is perhaps best known as Eric on Fox’s hit television show Gossip Girl.

This is clearly his biggest role to date and he’s on screen from start to finish. Paolo is the heart and soul of Stake Land. Despite his growing attachment to Mister and increasingly violent encounters with the antagonists, his innocence and vulnerability are never abandoned. The film works largely because his performance is so authentic. With Stake Land, Paolo firmly plants his flag as a young leading man on the cinematic landscape.

Take The Road, I Am Legend, The Karate Kid, and The Forbidden Kingdom and put George Romero at the helm and you have Stake Land, a truly original horror film — no small achievement in a genre that’s currently populating local cinemas. Don’t miss it. Its nightmarish images will stay in your mind long after the credits roll.

the gray after credits, the gray ending after credits, the gray after the credits, the grey post credits, end of the gray after credits, stake land ending
Home » dir » What Happens After The Credits For The Gray

Bridesmaids Movies Review

Annie’s life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian’s maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she’ll show Lillian and her bridesmaids just how far you’ll go for someone you love. (C) Universal

When I saw the trailer for BRIDESMAIDS, I didn’t see anything special with it. There were maybe a couple of good jokes in there but nothing really hilarious to make me wanna see it right away. However, after the end credits rolled from a prescreening I went to, I have to admit it: It’s freaking hilarious! To put this into perspective, I don’t like many modern comedies, so this is saying a lot. There was one sequence in the film that was so funny and so shocking that I don’t think I have ever laughed so hard in a film EVER! To say that the trailer doesn’t do the film justice is an understatement. However, on the up side, the trailer doesn’t show the funniest jokes in the film like most trailers for comedies do these days (don’t you hate it when that happens?).

And no. BRIDESMAIDS is not a chick flick. There are some raunchy scenes in here that you have NEVER seen in any other film before. Let’s remember, this is a hard R-rated Judd Apatow production, so this film shouldn’t be taken very lightly. It’s not to say that BRIDESMAIDS is one of the best comedies of the decade. In fact, as much as I laughed throughout the film, it does slow down after the first hour with the second hour not being nearly as funny as the first. Still, I laughed out loud pretty frequently, which is a feat hard to pull off on someone like me.

BRIDESMAIDS is also pretty heartfelt. This is mostly due to the wonderful ensemble cast, who are all fantastic in their own way. Kristen Wiig FINALLY gets the chance to shine in a starring role! Honestly, this girl can carry a film on her own. Maya Rudolph was also great. Seeing the dialogue exchange between her and Wiig made their chemistry feel very authentic which is no surprise since they were in SNL together. It’s also fun to see Rose Byrne in more comedic roles, who was also in GET HIM TO THE Greek and this year’s sleeper hit, INSIDIOUS(!!).

I think an obvious audience favorite from the group of girls would be Melissa McCarthy. She provides some of the films biggest laughs and for a good reason. Ellie Kemper and Wendi McLendon-Covey are the remainders from the group and they were pretty good, but they aren’t as prominent as the other girls. There are also some guys in the cast, most notably Chris O’Dowd and Jon Hamm. O’Dowd did a good job playing Wiig’s love interest (and you can pretty much see where this is going…), and Hamm did well for the limited amount of screen time he had.

Sure, BRIDESMAIDS is predictable as hell but so are 99.9% of other modern comedies. However, it’s strong proof that one can make a comedy about women without it ever being stupid, sexist, or mean-spirited. Overall, it’s just plain old entertaining, hilarious, and heartwarming. Who knew? Also, with the “HANGOVER with girls” comparison, BRIDESMAIDS is a much funnier, insightful, and honest film than THE HANGOVER ever was.

kathy mccarthy movies briadmaids

Page 1 of 1312345...10...Last »

58 queries. 0.649 seconds.