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Home » dir » The Grey 2012 Ending Explained

The Grey Review

A lot of people will complain about this film not having enough action or being too introspective or whatever other reason they can think of not to like the film. But the reality is, this is a fantastic movie about survival when there is little to no chance of doing so. In fact, the film speaks about a lot of things. It speaks about man versus nature, about being male, and about the human spirit’s need to persist. What this film is not is an action-adventure or one about Liam Neeson punching wolves. No, the trailer really pulled a number on anyone expecting a loud movie about wolf killing.

The film’s setup is simple: Neeson’s bodyguard-like character to a group of men drilling in Alaska finds himself and several others having survived a plane crash and facing the cold, harsh wilderness in an attempt to get back to civilization. In said wilderness, they are faced with a pack of wolves who have had their space invaded by these men and are out for blood. The cast is mostly fantastic, but obviously Neeson shines in the lead role. He is the kind of hard-edged man we’ve seen of him recently, but like the rest of the cast, he is vulnerable. The film speaks a great deal about the male ego and what it means to actually be a man. We’re told that these men Neeson is protecting are some of the worst kind of men, being criminals and just general a-holes. But when faced with such impending doom, these men show their vulnerabilities. They come across as tough and gruff. Even Neeson plays things cold and disconnected, but over the course of the film we learn about each of the men, see the things they truly care about, and even see them face fear when they would otherwise not admit to being afraid. It’s a film that shatters the image of male machismo in a slow, thought provoking way.

Now, I’ve already mentioned that the film isn’t an action-adventure in the way that people might expect, but it is nonetheless heart racing (or stopping, take your pick). Nearly every minute of screen time is taken up by some kind of tension, and this is in part thanks to pure visual and audio goodness. The darkness surrounding the men, the sounds of trees breaking, or wolves howling. It all creates a frightening, edge of your seat atmosphere. And when the attacks come, they come quickly and quietly. It’s unsettling and has you bracing for more. It’s not just wolf attacks either. Nature is as much a killer of these men as the wolves, and facing the cold and an attempt to escape prove harrowing, and sometimes even fatal. It’s a film shot beautifully, but in that beauty is true terror, the kind of which few films these days can create. Sound is as much apart of that terror as it’s look, and the two combine fantastically.

The film is also fairly depressing. There is little hope here, and as the men come to face their individual fates, the sense of dread grows greater. This coupled with an ending that many may find disappointing will probably turn other viewers off. I, for one, was not. The movie is still quite fantastic despite it’s depressing tone, and even if the ending isn’t quite what we’d anticipate, there’s enough of a sense of finality in it that it seems justified. In other words, if all you expect is a film that is shallow and about what you see, instead of what you feel and think, then you will most likely be disappointed. But if you’re looking for an exciting, edge of your seat, thought provoking film with a lot to say, then The Grey is something you will probably enjoy. It’s certainly a heck of a good way to kick off a new year of cinema.

[http://www.youtube.com/watch?v=gb1aTdC929w&feature=fvst]

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Vanishing on 7th Street (2010)

This movie had so much potential but in the end, it was nothing but an unfinished, unexplained, mess with no questions answered & a cheesy, stupid ending.

Imagine this: a normal morning in your everyday big city – taxis, cars, people, etc.. all going about their lives when suddenly, with no warning, a wave of darkness washes over the city wiping away all electrical light as well as daylight instantly – the darkness lets up and everyone is gone, nothing but their clothing from where they once stood, remains.

Who survives? A man working at a movie theater who had a battery powered headlight(Leguizamo). A man who was sleeping near lit candles (Christensen). A woman who had just stepped out to take a smoke break & opened the lighter at the exact second it happened (Newton)..people who were near prevailing light sources when the darkness came.

Now there is a fight for survival against the darkness that seems to be quickly taking over any light left – daylight becomes increasingly scarce w/ night lasting longer & daytime lasting shorter. Batteries used for flashlights keep dying, lasting at first hours on end but quickly dying out after minutes. Nearly all cars are dead – batteries drained. The survivors are trapped in a city (specifically 7th street) that is being taken over by night, a darkness that will take you unless you are surrounded by light.

Sounds interesting, right? I know.. this movie had so much promise which makes the execution so frustrating. I wish someone would have told me going into it not to try and figure out what was happening. With most psychological thrillers or horror films like this, creepy/odd things happen & then in the end, an explanation is given for what happened & why. I kept trying to find clues, piece them together & figure out what the initial darkness was, why it was light vs. dark, why the daylight was getting shorter, why light sources were dying at rapid rates, etc.. & how the darkness had a mind of it’s own since it is shown in the movie that the darkness thinks & has the ability to create fake light sources as well as add in loved ones’ voices to draw the survivors out, thinking they are safe and without warning the light goes out and the person is taken instantly.

…but alas nothing is ever explained. The audience is just supposed to accept what happened as an unexplained disappearance & take it for what it is – so beware – don’t bother trying to piece together what is happening, that is too advanced of a concept for this film.

I want to be clear that this is NOT some high concept, brilliant movie that answers some questions in a vague, thought provoking manner that leaves the audience drawing their own conclusions.. movies like that can be quite interesting. Just b/c this film doesn’t answer questions about what is happening & why, doesn’t magically make it ‘brilliant’ or ‘smart’ – this film is straight forward with a disappearance of a population, a light vs. dark scenario and the explanation that it’s just an unexplained disappearance which isn’t any explanation at all.

3/10 Utter failure – anyone can come up with some crazy concept, the true talent is putting all the parts together to explain the truth behind the mystery or what is really happening & this movie doesn’t even bother. Also, I found it hard to sympathize/care about any of the leads. I didn’t really care if they lived or died (do they even really die? Who knows – again.. what happens to those that disappear was never explained) Also, the movie comes to a halt about 30 minutes in when a place called Sonny’s Bar comes into play – and never really get back to where it was going. Finally, expect the usual problem of characters acting stupidly in this movie – when someone is in need of a light source & is desperate, FIRE come to mind especially when surrounded by alcohol in a bar & there is tons of fuel at their disposal from the cars in the streets – too bad no one could take that mental leap.

Just to be clear, the idea that it’s a reboot or some Adam/Eve scenario which I saw some people trying to sell as answers is NOT an explanation – that is just a potential reason for what happened but still doesn’t answer anything about how it happened. If the people turn into the darkness/shadows when they are taken, then what was the darkness made of when it initially came – it was obviously large & powerful enough to take over everything & wipe out ALL electrical light so what was that? Why light vs. dark? What was going on with Leguizamo’s character’s death? etc…

Also – the Adam/Eve idea based on the boy/girl in the end makes NO sense given the ending of the film. If they road off into the sunset w/ daylight shining upon them, then I might buy that (as a reason for what happened, NOT as an actual explanation as to how it happened) BUT that is not the case. As the boy/girl ride off, the shadows/darkness can be seen taking back over the city w/ night fall coming signaling to the audience that whatever is happening is NOT over. If the girl’s magical flashlight dies – then I am assuming she & the boy will be gone just like everyone else. There was no indication in the end that the occurrence was over so clearly the 2 kids are not the chosen ones so that theory doesn’t work.

by PhantomAgony from United States (IMDB)

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Another Earth (2011)

Just what is it about indie science fiction that is so fascinating? Maybe it’s the idea that great effects are done on a small budget. Or maybe it’s the simple fact that it’s indie filmmaking. Regardless of pretense or the filmmaker’s confinements, indie movies of the “lesser” genres (action, horror, sci-fi, etc.) almost always impress, Another Earth being no exception to this general rule.

Another Earth marks a marvelous turn that most sci-fi movie writers are too scared to take, and that is into the realm of a character drama. Mike Cahill’s thought-provoking debut as director (and writer and cinematographer and editor) is a risky venture, but it almost always works. Unfortunately, Cahill has concocted a premise that is too interesting for his small, pensive movie, but the beautiful Brit Marling makes it possible to ignore most of the film’s most glaring issues as she sweeps the audience away with her acting.

It’s best to go into Another Earth without any outside knowledge, but if you’ve come to this page, you probably know too much already. Here is your chance to leave before I begin with story details…

Still with me? Good. Another Earth is centered around Rhoda Williams (Brit Marling), an MIT student who becomes frenzied after she finds out that scientists have discovered a planet nicknamed Earth 2. Earth 2 is the same in composition as our earth, however the problem is that Earth 2 has suddenly moved from behind the sun and into view in our night sky. Rhoda drunkenly leaves a party and drives away, only to accidentally hit another family’s car while she is stargazing. The mother and child are killed; the father (William Mapother), on the other hand, is left in a coma. Four years later, Rhoda is released from jail and the father awakens from his coma. It’s up to Rhoda to find the courage to apologize and right what she has done wrong.

Visually, Another Earth is an impressive film. There’s a constant reminder that the film is independent–Cahill is forced to rely on grainy hand-held shots for some of the film’s most beautiful moments–and yet it’s very well-done for a film that supposedly cost $150,000 to make. Cahill returns to his roots in filming sharks and jellyfish for National Geographic by giving the human form a feeling of mystique. There are quite a few shots of Rhoda walking in slow-motion, Earth 2 looming in the background. But it’s all worth it: the viewer is constantly introduced to the world’s cruelty and ugliness, but Cahill has somehow made it serene and strangely inviting.

Whether or not Another Earth could have possibly held together without great actors is something that should be called into question. Brit Marling gives the performance that every actress wants to give. She adds a seemingly impossible amount of depth to the character of Rhoda. We feel her pain constantly, and it’s all thanks to Marling. Marling is worthy of a Best Actress nomination for her work in Another Earth. Although William Mapother is not to be ignored either. Maybe you’ve seen him on “Lost” when he played Ethan, however here, he doesn’t play a baddie. He’s honest and human in his slice-of-life performance.

Another Earth isn’t perfect, in fact, it’s far from it. The interesting ideas of two earths, a whole new you, and fear of doppelgangers is underused, if not absent entirely. The ending is, without a doubt, science fiction at its best, however it’s really the only scene in the movie that is pure sci-fi. The ending could be a “twist,” but I’m not going to call it that because the ending is just as subtle as the rest of the movie. Nevertheless, it packs a punch. Cahill should feature the same premise in his next film, but this time, he should entertain all the special effects that everyone wanted to see in this one.

At the Sundance Film Festival this year, Another Earth won the Alfred P. Sloan Prize, an award given to the film that best portrays a sci-fi story. There may not have been many movies at Sundance that could have qualified, but there’s no question that Another Earth deserved. Cahill’s first movie is quiet, well-made, and has the makings of an indie classic. Brit Marling and William Mapother’s chemistry perfectly fits Cahill’s excellent script, causing the audience to ponder “What if…?” for the entire movie. It’s mystifying science fiction, the kind without explosions and the kind without little green men. And Cahill proves that this, this lo-fi, destructive, and emotionally tense meditation, may be the best kind of science fiction.

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