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Home » dir » The Caller Movie Explanation

Vanishing on 7th Street (2010)

This movie had so much potential but in the end, it was nothing but an unfinished, unexplained, mess with no questions answered & a cheesy, stupid ending.

Imagine this: a normal morning in your everyday big city – taxis, cars, people, etc.. all going about their lives when suddenly, with no warning, a wave of darkness washes over the city wiping away all electrical light as well as daylight instantly – the darkness lets up and everyone is gone, nothing but their clothing from where they once stood, remains.

Who survives? A man working at a movie theater who had a battery powered headlight(Leguizamo). A man who was sleeping near lit candles (Christensen). A woman who had just stepped out to take a smoke break & opened the lighter at the exact second it happened (Newton)..people who were near prevailing light sources when the darkness came.

Now there is a fight for survival against the darkness that seems to be quickly taking over any light left – daylight becomes increasingly scarce w/ night lasting longer & daytime lasting shorter. Batteries used for flashlights keep dying, lasting at first hours on end but quickly dying out after minutes. Nearly all cars are dead – batteries drained. The survivors are trapped in a city (specifically 7th street) that is being taken over by night, a darkness that will take you unless you are surrounded by light.

Sounds interesting, right? I know.. this movie had so much promise which makes the execution so frustrating. I wish someone would have told me going into it not to try and figure out what was happening. With most psychological thrillers or horror films like this, creepy/odd things happen & then in the end, an explanation is given for what happened & why. I kept trying to find clues, piece them together & figure out what the initial darkness was, why it was light vs. dark, why the daylight was getting shorter, why light sources were dying at rapid rates, etc.. & how the darkness had a mind of it’s own since it is shown in the movie that the darkness thinks & has the ability to create fake light sources as well as add in loved ones’ voices to draw the survivors out, thinking they are safe and without warning the light goes out and the person is taken instantly.

…but alas nothing is ever explained. The audience is just supposed to accept what happened as an unexplained disappearance & take it for what it is – so beware – don’t bother trying to piece together what is happening, that is too advanced of a concept for this film.

I want to be clear that this is NOT some high concept, brilliant movie that answers some questions in a vague, thought provoking manner that leaves the audience drawing their own conclusions.. movies like that can be quite interesting. Just b/c this film doesn’t answer questions about what is happening & why, doesn’t magically make it ‘brilliant’ or ‘smart’ – this film is straight forward with a disappearance of a population, a light vs. dark scenario and the explanation that it’s just an unexplained disappearance which isn’t any explanation at all.

3/10 Utter failure – anyone can come up with some crazy concept, the true talent is putting all the parts together to explain the truth behind the mystery or what is really happening & this movie doesn’t even bother. Also, I found it hard to sympathize/care about any of the leads. I didn’t really care if they lived or died (do they even really die? Who knows – again.. what happens to those that disappear was never explained) Also, the movie comes to a halt about 30 minutes in when a place called Sonny’s Bar comes into play – and never really get back to where it was going. Finally, expect the usual problem of characters acting stupidly in this movie – when someone is in need of a light source & is desperate, FIRE come to mind especially when surrounded by alcohol in a bar & there is tons of fuel at their disposal from the cars in the streets – too bad no one could take that mental leap.

Just to be clear, the idea that it’s a reboot or some Adam/Eve scenario which I saw some people trying to sell as answers is NOT an explanation – that is just a potential reason for what happened but still doesn’t answer anything about how it happened. If the people turn into the darkness/shadows when they are taken, then what was the darkness made of when it initially came – it was obviously large & powerful enough to take over everything & wipe out ALL electrical light so what was that? Why light vs. dark? What was going on with Leguizamo’s character’s death? etc…

Also – the Adam/Eve idea based on the boy/girl in the end makes NO sense given the ending of the film. If they road off into the sunset w/ daylight shining upon them, then I might buy that (as a reason for what happened, NOT as an actual explanation as to how it happened) BUT that is not the case. As the boy/girl ride off, the shadows/darkness can be seen taking back over the city w/ night fall coming signaling to the audience that whatever is happening is NOT over. If the girl’s magical flashlight dies – then I am assuming she & the boy will be gone just like everyone else. There was no indication in the end that the occurrence was over so clearly the 2 kids are not the chosen ones so that theory doesn’t work.

by PhantomAgony from United States (IMDB)

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Harry Potter and the Deathly Hallows: Part 2 (2011)

I watched Harry Potter and the Deathly Hallows Part 1 and was very pleased with how well it stuck to the book. Because of this, I had high expectations for Part 2. I mean, if you did so well in the first half, you have to do just as well in the second half, right? Right? Wrong.

The movie started off very well, starting from exactly where it left off in Part 1 and staying faithful to the book all the way to when Harry and co break into Hogwarts. That’s where it starts to go down hill.

*Spoilers!*

The good:

- Neville. He was perfectly perfect. I really wish they gave him more screen time because he was adorable.

- The Gringott’s scene. Very well done.

- The emotion we are shown from Snape. Throughout the series, he’s been rather monotonous and emotionless. In the pensieve, we see a different side of him and it is a refreshing change.

- The battle at Hogwarts. It was intense and wonderfully done.

- Helena Ravenclaw. It was very emotional and creepy. Although they did not tell us her back story with the Bloody Baron.

- Rupert Grint and Dan Radcliffe shirtless. That’s certainly a plus.

OK you know it’s bad when I resort to writing about that.

The bad:

- They completely took out the scene where Harry and Luna go into the Ravenclaw Common Room, where they are ambushed by one of the Carrows. It appeared as if they would show it, as I hope they would (I’ve always wanted to see the other common rooms), but then they don’t. Hm.

- Fred’s death scene. Gone. Yup. They show his body once at the end and don’t even give you time to grieve before moving on to the next scene. This was an insult to his character’s memory.

- Crabbe’s disappeared. Gets replaced by Zabini, and replaced in a different way by Goyle.

- Snape’s memories are rushed and they take out some of the most interesting memories. They just go through a few of them quickly. I’ve always enjoyed the memories, because you get to see life at Hogwarts through the eyes of someone else for a change, in a different time era.

- Hermione and Ron battle Nagini, and eventually Neville slays the snake. Eventually. It takes some time getting to that scene.

- There is not a single mention of Teddy Lupin. That is, until the end when Harry suddenly knows about Lupin’s son. Weird, considering Harry was camping in a forest and hadn’t heard of any of this.

- Collin Creevey is replaced by that random Nigel kid.

- The students are not sent home. No, the teachers think it’s OK to just lock the Slytherins in the dungeons and let everybody else stay and fight.

- Still no mention of the significance of the horcruxes. Hufflepuff’s cup is just a plain old cup that Voldy turned into a horcrux.

- Not enough interaction with characters other than the trio. Too much Harry. It’s as if everybody else just have cameos.

- Random scene where they blow up one of the bridges (ignoring the fact that there are like 2 other bridges that would take them into the school).

- Voldemort’s and Bellatrix’s death = explosion into confetti!

- Percy’s on the good side all of a sudden. No explanation at all (a reoccurring theme with Yates, don’t you think?).

- Harry does not fix his old wand with the Elder Wand. No, instead he takes the Elder Wand and SNAPS IT IN HALF. Is that even possible? I didn’t think so. So Harry breaks the wand and then chucks it into the abyss. Really Yates, really?

- All of the fun and cheerful dialogue from the future scene has been resorted to everybody staring and smiling at each other. No explanation once again. They don’t even say who’s who! Plus there is absolutely no chemistry between Dan and Albus Severus. And it was really awkward to see them all with old make up on.

- Goodbye Dumbledore’s back story!

- Too many attempts at one-liners and humorless jokes.

*End of Spoilers*

All in all, all of the personality and charm of the series was zapped away in an attempts to make this final movie is action-packed as possible. It’s a shame to see something that you’ve grown up with, learned to love, taken and twisted into somebody’s ‘vision.’ I mean, why bother adding your own unimportant scenes to the movie, when there are perfectly good ones in the book that you did not bother using at all? There’s no…bonding with the characters, no connection with them you felt in Part 1. I did not feel the love for this movie like I had with the book. There was just so much significance that was left out of that movie, and it is such a shame. It had such potential to be a fantastic movie, and it fell short all because of the changes that were unnecessarily made.

See the movie, and I’m sure you’ll form your own opinion of it. It’s not a bad movie, just disappointing and unsatisfying for a die-hard fan who’s been following the books for 10 years of their life.

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The Adjustment Bureau (2011)

Considering all the garbage movie critics have to sit through in a year, it’s pretty amazing when a film that’s smarter than most hits theaters and makes a bit of an impact. Independent films are one thing, but major ones released by bigger studios are even a bigger deal when this occurs. I think that’s one of the reasons Inception was so great. Creativity and intelligence are two things that are usually lacking from blockbusters. The Adjustment Bureau is a film that has a bit more to it than you’re probably expecting. Based on “The Adjustment Group,” a short story by Philip K. Dick (Blade Runner, Total Recall, Minority Report), The Adjustment Bureau has probably already caught your attention either because you’re a fan of Dick’s work and/or the movies that were adapted from it.

The film’s charm is definitely in its explanation for things. The way the bureau works and how they function is a wonder in itself. You’ll never look at a door or a man wearing a hat the same way again after viewing the film. Perhaps the most interesting is Thompson’s explanation of how events in history like The Great Depression and The Holocaust came about. The story is very imaginative and different from the norm, which is always a fantastic change in pace when it comes to film. At the same time though, those who like having absolutely everything explained to them will probably be disappointed. The Adjustment Bureau explains enough to get the wheels in your brain turning and leaves some things open to your interpretation, which could hurt someone’s overall opinion of the film depending on the viewer.

I’ve never been the biggest Matt Damon fan. My favorite memory involving him was the Team America parody that he wasn’t even involved with, but I think of that “Matt Damon!” line every time I see him on screen. However, he did have strong showings in both Hereafter and True Grit from last year. He keeps the trend going here. David seems to be a guy who was once fueled by speaking in front of hundreds of people and politics, but has now replaced that void with Elyse. The chemistry he has with Elyse, despite feeling somewhat brief, is one of the driving factors of the film. Anthony Mackie winds up being the most memorable bureau agent mostly because he has an emotional tie to David, but John Slattery and Terence Stamp have some pretty noteworthy performances as well.

I have the impression that a lot of people will write this off as a Men In Black ripoff, but The Adjustment Bureau is a bit more clever than either Men In Black film. The films surely have their similarities, but The Adjustment Bureau deserves to be given a chance. I think it’ll surprise a lot of viewers.

The Adjustment Bureau is easily the smartest live-action film to be released in the first few months of 2011. With a solid cast, a hefty helping of creativity, and just an absorbing experiencing overall, The Adjustment Bureau is bound to leave a lasting impression when it comes time to look back on the best films of the year. The film leaves you questioning how much of your life is really left to fate and chance. Films seem to leave an impression that lasts longer if it makes you think or strikes a cord or hits close to home in some capacity. This film does that and then some. It comes highly recommended even if you have your reservations about it.

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