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Home » dir » Spoiler For The Grey Liam Neeson

The Grey Review

A lot of people will complain about this film not having enough action or being too introspective or whatever other reason they can think of not to like the film. But the reality is, this is a fantastic movie about survival when there is little to no chance of doing so. In fact, the film speaks about a lot of things. It speaks about man versus nature, about being male, and about the human spirit’s need to persist. What this film is not is an action-adventure or one about Liam Neeson punching wolves. No, the trailer really pulled a number on anyone expecting a loud movie about wolf killing.

The film’s setup is simple: Neeson’s bodyguard-like character to a group of men drilling in Alaska finds himself and several others having survived a plane crash and facing the cold, harsh wilderness in an attempt to get back to civilization. In said wilderness, they are faced with a pack of wolves who have had their space invaded by these men and are out for blood. The cast is mostly fantastic, but obviously Neeson shines in the lead role. He is the kind of hard-edged man we’ve seen of him recently, but like the rest of the cast, he is vulnerable. The film speaks a great deal about the male ego and what it means to actually be a man. We’re told that these men Neeson is protecting are some of the worst kind of men, being criminals and just general a-holes. But when faced with such impending doom, these men show their vulnerabilities. They come across as tough and gruff. Even Neeson plays things cold and disconnected, but over the course of the film we learn about each of the men, see the things they truly care about, and even see them face fear when they would otherwise not admit to being afraid. It’s a film that shatters the image of male machismo in a slow, thought provoking way.

Now, I’ve already mentioned that the film isn’t an action-adventure in the way that people might expect, but it is nonetheless heart racing (or stopping, take your pick). Nearly every minute of screen time is taken up by some kind of tension, and this is in part thanks to pure visual and audio goodness. The darkness surrounding the men, the sounds of trees breaking, or wolves howling. It all creates a frightening, edge of your seat atmosphere. And when the attacks come, they come quickly and quietly. It’s unsettling and has you bracing for more. It’s not just wolf attacks either. Nature is as much a killer of these men as the wolves, and facing the cold and an attempt to escape prove harrowing, and sometimes even fatal. It’s a film shot beautifully, but in that beauty is true terror, the kind of which few films these days can create. Sound is as much apart of that terror as it’s look, and the two combine fantastically.

The film is also fairly depressing. There is little hope here, and as the men come to face their individual fates, the sense of dread grows greater. This coupled with an ending that many may find disappointing will probably turn other viewers off. I, for one, was not. The movie is still quite fantastic despite it’s depressing tone, and even if the ending isn’t quite what we’d anticipate, there’s enough of a sense of finality in it that it seems justified. In other words, if all you expect is a film that is shallow and about what you see, instead of what you feel and think, then you will most likely be disappointed. But if you’re looking for an exciting, edge of your seat, thought provoking film with a lot to say, then The Grey is something you will probably enjoy. It’s certainly a heck of a good way to kick off a new year of cinema.

[http://www.youtube.com/watch?v=gb1aTdC929w&feature=fvst]

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Unknown (2011)

Dr. Martin Harris (Liam Neeson) and his wife Elizabeth (January Jones) fly into Berlin as he is going to attend a biotechnology conference with a colleague. As his wife tries checking into their hotel, Martin notices that one of his bags is missing. He takes a cab to go back and retrieve the bag. The taxi enters a crash and Martin is left unconscious, only to be saved by the driver, Gina (Diane Kruger). When Martin wakes up from a coma he sets out to find his wife. He discovers her at the bio conference but she claims that she does not know him and that another man (Aidan Quinn) is married to her and is the real Martin Harris. Martin sets out to reclaim his identity by tracking down Gina, who is now working as a waitress. He also employs the help of Ernst Jürgen (Bruno Ganz), who used to be a Stasi officer in East Germany. He specialises in tracking down people and Harris uses this skill to try and contact his friend Rodney Cole (Frank Langella) back in the USA.

Unknown was the wrong title. This is a film about identity loss and yet it includes a checklist of familiar scenarios and set pieces from a dozen other action films. The film commences intriguingly enough, mostly because of the slick, classical direction of Jaume Collet-Serra. He’s icily photographed film on location in Berlin and the omission of the shaky camera in these opening exchanges allows for smoother control. With this isolated and grey Cold War-like feel, it is hard not to be mildly drawn in by a curious, if familiar, premise.

The early intensity at least makes it interesting to see how the film will unravel. Unfortunately a lot of suspense is undone by some routine dialogue of the ‘that man is pretending to be me’ kind and some surprisingly flat revelations. Judging from the accent of the German doctor who aids Martin, I was expecting some crazed German mind games. But there’s too much Bourne here and a silly finale owes more than a little to the superior Salt from last year. The two writers credited to the screenplay were unimaginative enough to even include a digital readout bomb that needs to be disarmed. In between, there are some tired car chases and fist fights, chaotically edited, with the shaky cam and rapid cutting rearing their ugly heads. Any subtext relating to the submissive identities of migrants runs second to clichés like black four wheel drives and trained assassins.

Liam Neeson is an experienced and decorated performer so it’s problematic that he’s still in Taken-mode. With a gruff American accent and one expression on his face, glum, he lends himself to a tough but highly monotonous performance. Nearly sixty-years-old, what is Neeson’s interest in choosing these action roles and bit parts? Even he cannot bring credibility to embarrassing lines like, ‘I haven’t forgotten how to kill you asshole’. It’s Neeson’s movie and yet his character is surprisingly underwritten, mostly to mask the final plot twist. More appealing support is provided by Diane Kruger (from Inglorious Basterds) and Bruno Ganz (Downfall). He has some of the best lines in the film, like when he describes his cigarette flavour as killing more Russians than Stalin and he brings some tension and ambiguity to the plot. The talents of Langella are just wasted though because he arrives very late in the film, with the sole intent of explaining the film’s denouement. The film is not as primitive or as offensive as Taken, it is occasionally intense and involving, but even Dr. Martin would have trouble escaping the nostalgia.

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Zookeeper (2011)

After reading some of the reviews for this movie, it is absolutely clear that most of the previous reviewers didn’t get the point of the movie. It is a FAMILY movie.

You don’t go to movies to see what you can pick apart, and then write a review that is already predisposed negatively against it. That’s just stupid. Anyone who goes into a movie with the attitude they are going to hate the movie no matter, and writes an extremely negative review is an idiot. The reason to go to movies is to be entertained.

Zookeeper was a movie that entertained. The performances by all the cast members were very well done. There were a lot of laughs, and there was a lot of fun. My son, who by the way is 7, was in the perfect demographic for this movie. It had interesting characters, and situations.

For an adult, a movie with talking animals might not be your cup of tea, but for a small child, it is awesome. Yes, a child thinks it’s funny when someone smashes into something or someone. Yes, for an adult, the movie might seem predictable, but truthfully, what movie isn’t somewhat predictable? A young child (for whom the movie was made for) isn’t going to be scrutinizing every tiny, single thing in a movie, just to say, ” A-HA! SEE, I KNEW IT!”. A child goes to the movies to be lost in imagination. My son laughed when there was a funny part. Whether it was funny because of the animals, or the humans, I heard a lot of laughter. And yes, I laughed a lot too, and so did my wife.

I believe that anyone who goes into this movie with the understanding that this is a movie targeted towards families with young children, that they will be entertained. This movie hits the mark for the appropriate audience members it was made for.

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