• The Secret World of Arrietty
     
      http://bartybooks.com/the-secret-world-of-arrietty.htm
  • Gone
     
      http://bartybooks.com/gone.htm
  • Wanderlust
     
      http://bartybooks.com/wanderlust.htm
  • This Means War
     
      http://bartybooks.com/this-means-war.htm
  • Ghost Rider: Spirit of Vengeance
     
      http://bartybooks.com/ghost-rider-spirit-of-vengeance.htm
  • The Vow
     
      http://bartybooks.com/the-vow.htm
  • Safe House
     
      http://bartybooks.com/safe-house.htm

Movies under ‘Sci-Fi’

I Am Number Four (2011)

With the teenage fantasy film franchise about to face a dearth once Harry Potter finally goes one on one with Voldemort, and when the Twilight lovers get to live together as undead beings, something has to be done to fill the void. There were a number of pretenders, so many that even I’m lazy to name but a few recent efforts such as Percy Jackson or Cirque du Freak even. What’s amazing with this production effort is that only one book has been released thus far, with one of two planned sequels hitting the shelves only in August this year. So how it all pans out in the novels by Jobie Hughes and James Frey is anyone’s guess, but as a film, it contains all the trappings for its intended teenage target audience.

And that means plenty of eye candy characters, out of this world powers, with buddy relationships and romantic ones forged. The film doesn’t waste time jumping straight into where the action is in Kenya, where we witness the quick death of Number Three (Greg Townley) and his guardian, and we soon learn that their deaths have to follow a strict sequential order, so if you miss the deaths of Numbers One and Two, hit the trailer because it’s there, and not contained in the film. No point regurgitating what’s already done, right?

I Am Number Four is just that, an introductory tale to a hopeful franchise to be blessed with some longevity. And with most origin films, this one spent considerable time in establishing the ground rules for discovery of powers, the relationships between characters, all primed for action sequences in between long drawn narratives building up toward that inevitable big bang conclusion which contained everything but the kitchen sink. all nicely choreographed with loads of CG enhancement in a bayhem manner that will make producer Michael Bay so proud with the decimation of a school and its sprawling football pitch.

Simply put, it’s like an extended version of Superman, but only for a race called the Loriens having sent nine of their offspring to Earth in order to escape total extermination by another alien race known as the Mogadorians. As they grow up incognito, they find out they have superhuman powers, yet have to be protected and lying in waiting for their true calling like sitting ducks. Being tracked and hunted down one by one by their space enemies is no fun, and Number Four (Alex Pettyfer), also known as John Smith, decide to hold some ground much to the disappointment of guardian Henri (Timothy Olyphant, who was a Hit-man once so he knows what he’s talking about), since it’s not that hard to find him with his penchant of not knowing how to lie low, developing a hunger for earthly education and getting into the periodic scuffles in high school no thanks to attention showered on and being showered upon by his junior and budding photographer Sarah (Dianna Agron).

It’s then no surprise that with the parallels to Superman, the screenplay got written by Alfred Gough and Miles Millar, who between them have clocked countless of Smallville episodes, joined by Marti Noxon in adapting the book for the screen, taking certain expected liberties when translating material from one medium to another. Somehow they didn’t manage to keep the narrative tight in the beginning, deciding to sprawl it to introduce plenty of bit characters, though for important ones like the sidekick Sam (Callan McAuliffe), little time got devoted to telling his back story properly, as it was deemed more effective in trying to do so in a rather haphazard, impromptu manner.

Like the Twilight films, this one had its fair share of moments in the beginning deeply entrenched into whipping up a boring romance, and to those who prefer the action as promised in the trailer, we’ll be looking toward our watches to pass time. D.J. Caruso is certainly no stranger with stories that have teenage protagonists in the fight of their lives against something larger than they can imagine, with his most recent collaborations with Shia LeBeouf being case in point in Disturbia and Eagle Eye, and with strong alpha-female type characters to boot too supporting by the side, here with Teresa Palmer doing an about turn from her damsel in distress type of role in The Sorcerer’s Apprentice, to being one ass- kicking alien in Number Six, obviously having reached her power puberty before Number Four.

The villains don’t really pose much of a threat besides looking and behaving mean, and it’s a little bewildering why a race without powers and who uses space aged guns and winged creatures can defeat a race with magical guardians, maybe perhaps through sheer overpowering with numbers. I’m not about to read the book to find out though, nor was it explained about the very sticky sequential order that has to be stuck to. The special effects were top notch however, with the final act turning into a big Star Wars battle with blue and red lasers flying all over the place, and Number Six stealing the show with her more developed powers which include something ripped off from Nightcrawler in X-Men 2, and what I thought was the money shot together with Number Four as they fend off one final big bang. Truly impressive stuff there.

Primed for a follow up film, whether it does get made is the question. I had expected a more compact origin told in one sitting to get it out of the way, but it soon became a slow plod bogged down by uninspired caricatures, with too much left out in the open, and generic gun totting villains who are obviously no match for the powers the heroes possess, making it pretty much a one sided fight. Could have been better, or that I belonged to the wrong demographic target to begin with.

TRON: Legacy (2010)

Kevin Flynn (Bridges) is the CEO of Encom and the world’s best video game developer. One night he simply vanishes without a trace and leaves his company in chaos and his young son. Fast-forward 20 years, Sam Flynn (Hedlund) is a rebellious 27 year old and a thorn in the side of Richard Mackey (Nordling), a suit trying to take over his father’s company with the help of a software designer (an uncredited cameo from Cillian Murphy). Though Sam is the heir, he refuses to play an active role in the decision-making process. Alan Bradley (Boxleitner) meets him one night with the news that he has received a page from Kevin Flynn’s arcade – a number that has been disconnected for 20 years. Thus ensues the inevitable investigation into his father’s whereabouts and Sam’s transportation into the world his father has created and been trapped in for decades.

Where to begin? Tron: Legacy is a visual feast for your eyes and an auditory pleasure thanks to Daft Punk and Joseph Trapanese. The soundtrack feels ethereal almost and fits perfectly with this new world we have been introduced to for the first time (or the 2nd time if you’ve seen the 1982 original).

3D, for me, is a recent scourge that has been infecting and affecting the movie industry. Yes, maybe it is a more lucrative avenue for the movie industry after the setback of heavy piracy but enough is enough! Joseph Kosinski, however, had a vision (and an architectural degree behind him) to give us a mouth-opening, simply beautiful world with the correct blend of 2D and 3D! It is quite simply worth it just to go for the visuals.

What the movie makes up for in spectacular imagery, it lacks in storyline. Maybe I should have watched the 1982 version as so many people have pointed out to me but even without it, the plot seems a little disjointed. The underlying connections to the real world are numerous such as The Holocaust, God complexes, evil doppelgangers and more. You are left with more questions than answers as it is never revealed just what it is about this world that would “change everything” in the real world.

Jeff Bridges is great as both the villain and hero and his computer animated self is simply amazing although at the same time off-putting (this might be the Uncanny Valley hypothesis at work). The acting overall is not anything to write home about (no Oscar winners here) but Hedlund as Sam Flynn holds his own against a more charismatic Jeff Bridges. Quorra (Wilde) provides a potential love interest and the key to changing our world and a doe-eyed innocent view of life that is endearing.

This is a movie that should be simply taken for what it is, a pandering to the original fan base whilst garnering new ones, one not to be over- analysed but simply to be marvelled at with a group of friends. The actions scenes are just jaw-dropping with light cycles (that I wish I owned!) and deadly Frisbees amongst other things. Disney took a risk to continue a series almost 3 decades later rather than going for the easy option of re-imagining it. A wise move.

catherine mccarthy missing, katherine marx missing person, katherine marx 1982, Katherine Mccarthy 1982

Skyline (2010)

First, let’s work on some maths: “Skyline” is an alien invasion flick that has a touted US$10 million budget! This amount is a shoestring for an alien attack film – it is not even enough to pay the salary of an A-list star! So now you can do the maths and understand why there are no big stars here.

If you had seen the trailer you might have been impressed by the CGI effects of the tentacled UFOs. This is probably where all the money have gone. Everything else, from its lame script and B-grade TV stars to its sets, are all hotch-potch and downright rudimentary. It is an exploitation film that seems destined for DVD.

Synopsis: After a night of heavy partying at a posh condo in Los Angeles, a bunch of friends are awakened in the early hours by mysterious beams of light from the skyline. Those who gaze on the light get entranced – like moths to a flame and get ‘burnt up’. Yup, the alien ships have landed and the survivors at the condo unit, Jarrod (Eric Balfour) and his fiancée (Scottie Thompson, pictured below with Balfour), and their friends Terry (Donald Faison of TV’s “Scrubs”) and Candice (Brittany Daniel) must find a way to escape the aliens’ grasp. But where can they run? There are so many things wrong with the movie that I don’t know where to begin. The film, directed by the Brothers Strause who did the effects for “The X-FIles”, centres the action inside the condo unit so much that we get the impression that LA is deserted and the only folks left are those in the half-empty building. No attempt is made to show the scope of the ‘body snatching’ and its effects on the millions of other city-dwellers.

Next, the main characters are being portrayed as such selfish and unsavoury people that we root for the aliens to take them away. This may be because the writers have not bothered to flesh out their backgrounds, except for a few predictable turns. The only one who comes on as real is David Sayas (of TV’s “Dexter” fame) who plays the building supervisor. Also, the dialogue is lame and clichéd. The writers must have had the notion that audience interest can be sustained if they have the characters yell at one another.

There’s no doubt that Strause brothers provide exhilarating special effects – but they need to work on getting a good story to go with their CGI magic. Otherwise it is just a damn waste.

actual purpose of the atm movie, ATM film 2012 full plot, incidies sipnosis
Page 5 of 512345
40 queries. 0.474 seconds.