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All Good Things (2010)

ALL THINGS GOOD is a polished little film based on a true story that while it may not have the visual gruesome detail of the usual thriller tropes of films, it is terrifying in its presentation of personality variations that produce a shuddering reaction on a purely intellectual level for the audience. It is both a love story and a missing persons/murder mystery based on a still unsolved case that continues to haunt New York investigators and reporters and detectives.

What writers Marcus Hinchey and Marc Smerling have created from known and newly discovered facts, speculation and court records results in a psychological examination of a powerful New York family, obsession, love and loss. The film relates incidents that began in 1972 and end in 2003 and at this time the truth is still unknown. Director Andrew Jarecki uses a superb cast and a fine sense of voice-over narration to interweave the puzzling history with the gradual dissolution of each of the characters involved.

Sanford Marks (Frank Langella) is one of the wealthiest owners of Manhattan real estate, the current head of a family that has long dominated the New York scene with its power and money. Marks is aging and is relying on his son David (Ryan Gosling) to take over the family business: he sends David out to the brothels, and filthy hotels and porn houses to collect rent. David is reticent to be a part of his father’s business: he is a deeply disturbed young man, having witnessed his mother’s suicide leap as a child. David meets a tenant in one of the properties – Katie McCarthy (Kirsten Dunst) who longs to go to medical school but at present has no income to support that dream. The chemistry between the two is magnetic and despite David’s father’s objection that Katie is not of ‘their kind of people’, David decides to marry Katie and move to Vermont to open a Health Foods store – a move that makes the couple ecstatic, but is financed by Sanford Marks who eventually convinces David to sell his haven and move to New York to stay with the family business.

In their Manhattan home (and in their country lake front home!) the couple flourishes until Katie mentions she’d like to have children – a force that drives David back into violent behavior resulting form his witnessing his mother’s suicide: David can’t understand why Katie would want anything but the obvious life of wealth they enjoy. The shell is cracked and the subsequent events include Katie becoming pregnant only to be forced by David to terminate the pregnancy, Katie’s disappearance after uncovering the facts about the sources of wealth of the family, David’s descent into drugs and irresponsible behavior, and ultimately his leaving New York for Galveston, Texas where he lives a life disguised as a woman, his only friend being another old runaway Melvin Bump (Philip Baker Hall) who David engages to do away with a ‘problem confidant’ (Lilly Rabe), after which Bump is killed and dissected and tossed into the river. The murders are never solved nor is the mystery of Katie’ disappearance. A trial (the source of the voice-over throughout the film has been the lawyer’s interrogation of David in the year 2003) fails to resolve anything and the film ends with the message that David Marks is at present a real estate broker in Florida.

Frank Langella is superb as the heartless father who drives his family like cattle in the quest of power and wealth. Ryan Gosling offer a multifaceted performance of the deeply disturbed David and is match by Kirsten Dunst’s bravura performance as Katie, the simple bright girl whose life is quashed by a powerful family’s sickness. The brilliant cast, including the performances by Philip Baker Hall and Lilly Rabe – daughter of the deceased Jill Clayburgh), has excellent cameo roles by Diane Venora, Trini Alvarado, David Margulies, Nick Offerman and many more. This is a tough film to watch because at the bottom of it all is that it is true and the cases are unsolved. It makes us cringe but it is a very fine film.

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One for the Money Review

The trailer would remind you of the forgettable The Bounty Hunter starring Gerard Butler and Jennifer Aniston with the former being the titular character whose target happens to be his ex-wife, having them bicker and run from various misadventures together. Reverse the roles in order to have a female bounty hunter going after an ex-boyfriend, and the stage is set for more of the same, no? Not quite. One for the Money has a lot more going for it, predominantly being a film written by and made by females for its intended audience, and being an engaging flick chick that wonderfully encapsulates a whodunnit.

Katherine Heigl seems to be on a successful roll on celluloid, and is in her element here in this romantic action adventure comedy as lead character Stephanie Plum, a rookie bounty hunter drawn to the profession only because she’s desperate for a job to pay off impending bills. An ex-lingerie model, we follow her transition from girly girl to a somewhat tough cookie ready to hold her own in her cousin’s business, where an added incentive is to hunt down and bring in her ex-boyfriend Joe Morelli (Jason O’Mara), a cop wanted for the gunning down an unarmed felon.

Yes one would expect the usual laughs coming from her inexperience in a new field, her constantly being outwitted by slier opponents in the big bad town of Trenton, New Jersey, and having that pitch perfect sexual charisma with her mark since they share a common romantic history before in their youths. But to my surprise One for the Money has a little bit more depth in its story than I would have imagined, playing out like a mystery with a crime at hand to solve, with Stephanie stumbling her way from fact to fact, interacting with various interesting caricatures who don’t bore, and plays out exactly like an 80s private detective film of old in spirit.

Written by Stacy Sherman, Karen Ray and Liz Brixius off the well received novel of the same name by Janet Evanovich, this probably accounts for a lot of female-centric focus on elements in the storyline, as well as director Julie Anne Robinson’s ability to center this very much like a chick flick, wrapped around an old fashioned whodunnit. I mean, only in a story with an attractive female protagonist would you have other females in the story either old, or matronly, and having not one but two hunks – Morelli and fellow alpha-male bounty hunter Ranger (Daniel Sunjata) – involved at the crossroads of her life. Plenty of characterization goes into the lead character of Stephanie Plum, and Heigl brings a certain sass to the role, with little street smarts that cover for her lack of experience in the field.

Granted the mystery doesn’t quite play out with that kind of tension and suspense as one would expect from a true blur genre film, but it does enough with its slight touch and managed to keep interest afloat. While there are 18 novels to date in the series of Stephanie Plum’s adventures in bounty hunting, with each novel title starting with a number / numerically related, reality is that any subsequent film will have to rely on how much this makes at the box office. My bet is that it’ll likely be something quite modest with a potential of 17 more films made only if Heigl wants to be stereotyped (if not already) or typecast. Still, One for the Money sits above average on the entertainment scale, and can be recommended fare if you’d give it a chance.


Fast Tube by Casper

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Sherlock Holmes: A Game of Shadows Movies Review

So what’s been happening lately?

There has been a series of bombings and assassinations across Europe and if these activities continue, war will erupt and Europe will become a field of casualties and devastation. And our favorite detective Sherlock Holmes suspects Professor James Moriarty as the mastermind behind all these events.

Meanwhile, amidst the bombings and destruction which are ravaging Europe, Sherlock Holmes’s partner, Dr. John Watson is finally getting married with his fiancĂ©e Mary. After being engaged in the first film, they are finally getting married and a short funny wedding scene has been reserved in the film. They’re even going for a honeymoon in Brighton. Or they were supposed to go for a honeymoon.

The train the couple boarded was filled with Moriarty’s henchmen and a loud, explosive battle ensues eliminating any hopes of an upcoming honeymoon. Even though Watson had been planning to retire from adventuring with Holmes after his wedding, he reluctantly becomes Holmes’s partner one more time while his wife is taken care of by Holmes’s brother, Mycroft. And the duo will receive an additional member to form a trio: the mysterious gypsy Madam Simza. Together, they try to stop Moriarty from continuing his cruel schemes and Holmes learns about Moriarty’s plan to start a war in which he will personally benefit from.

There are lots of action scenes that keep the film exciting and keep the film running in a constant, fast pace. The action sequences are louder, much more explosive, and much more energetic than the ones present in the predecessor. They are very loud, operatic, and exuberant. But some of the battle sequences are surprisingly quiet, such as a simple chess game held between Holmes and Moriarty. While you think a chess game would be boring, Guy Ritchie filmed it as if it was a grand battle. The sounds, the atmosphere, and the dialog adds another layer of tension and makes the chess game scene more atmospheric.

Not only the action scenes, but the humor here is outstanding. Most of the jokes and humor come from the titular character himself. His bizarre behavior, regardless of his intelligence add a layer of comedy to the film. His trademark hobby, disguising into several unexpected people is just purely entertaining. If it weren’t for Robert Downey Jr., the humor here would have collapsed and become a disaster.

And of course, the acting and performances by the cast were brilliant and outstanding. Robert Downey Jr. is just brilliant in portraying the titular detective. He is admirable and he is really a man of talent. Don’t worry, Jude Law also plays the role of Dr. John Watson perfectly. Together, they form an excellent chemistry. Also worth mentioning is Noomi Rapace as the mysterious gypsy Madam Simza, who not too long ago played the role of Lisbeth Salander in the original version of “The Girl With the Dragon Tattoo”. Stephen Fry plays the role of Mycroft Holmes to perfection.

I’d like to take some time discussing the character of Professor James Moriarty. He is a very compelling villain. His professional life as a criminal mastermind is hidden beneath his profession as a professor in the University of Cambridge. He is much more intelligent, much more cunning, and much deadlier than Lord Blackwood of the previous film. While Holmes seems to be a detective that can do no wrong in the previous film, here, he will make mistakes. Here, he will feel pain. Moriarty is just a very powerful villain and a very suitable opponent for Holmes. (And remember the slow-motion scenes where Holmes elaborates his fighting strategies in his mind, Moriarty can do it too.) And to further compliment this is the performance of Jared Harris. While he may not look suitable as an antagonist, he actually makes a perfect choice.

However, the film uses too much slow-mo effects. This is largely noticeable in one particular scene which has an extensive use of slow-motion. I know the effect is mainly used to make it look more stylish but there is certainly too much of them. Running at a duration of 129 minutes, it could have been shortened if some of the slow-mo effects have been removed.

Not only the slow-mo effects, but this film seems to have lost its trademark element of mystery that is present in the first film. Even though there are some mystery present here, they are not as mind- boggling as the ones present in the first film. In the first film, there are just so many questions that popped up and Holmes really has something to work on. But here, it’s not mysterious. You know the full details immediately.

Nevertheless, “A Game of Shadows” is a pleasant experience and a whole lot more fun than the original film. Its operatic action scenes will entertain the audience and its comedic scenes will add a layer of laughter. With powerful performances from the cast, this film is one not to be missed in this movie season.

Final Verdict: “A Game of Shadows” is a stylish, fast-paced, yet comedic adventure which improves upon its predecessor in several aspects, and surely a highly recommended film.


Fast Tube by Casper

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