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Home » dir » Real Image Of Heir David Marks Murder

All Good Things (2010)

ALL THINGS GOOD is a polished little film based on a true story that while it may not have the visual gruesome detail of the usual thriller tropes of films, it is terrifying in its presentation of personality variations that produce a shuddering reaction on a purely intellectual level for the audience. It is both a love story and a missing persons/murder mystery based on a still unsolved case that continues to haunt New York investigators and reporters and detectives.

What writers Marcus Hinchey and Marc Smerling have created from known and newly discovered facts, speculation and court records results in a psychological examination of a powerful New York family, obsession, love and loss. The film relates incidents that began in 1972 and end in 2003 and at this time the truth is still unknown. Director Andrew Jarecki uses a superb cast and a fine sense of voice-over narration to interweave the puzzling history with the gradual dissolution of each of the characters involved.

Sanford Marks (Frank Langella) is one of the wealthiest owners of Manhattan real estate, the current head of a family that has long dominated the New York scene with its power and money. Marks is aging and is relying on his son David (Ryan Gosling) to take over the family business: he sends David out to the brothels, and filthy hotels and porn houses to collect rent. David is reticent to be a part of his father’s business: he is a deeply disturbed young man, having witnessed his mother’s suicide leap as a child. David meets a tenant in one of the properties – Katie McCarthy (Kirsten Dunst) who longs to go to medical school but at present has no income to support that dream. The chemistry between the two is magnetic and despite David’s father’s objection that Katie is not of ‘their kind of people’, David decides to marry Katie and move to Vermont to open a Health Foods store – a move that makes the couple ecstatic, but is financed by Sanford Marks who eventually convinces David to sell his haven and move to New York to stay with the family business.

In their Manhattan home (and in their country lake front home!) the couple flourishes until Katie mentions she’d like to have children – a force that drives David back into violent behavior resulting form his witnessing his mother’s suicide: David can’t understand why Katie would want anything but the obvious life of wealth they enjoy. The shell is cracked and the subsequent events include Katie becoming pregnant only to be forced by David to terminate the pregnancy, Katie’s disappearance after uncovering the facts about the sources of wealth of the family, David’s descent into drugs and irresponsible behavior, and ultimately his leaving New York for Galveston, Texas where he lives a life disguised as a woman, his only friend being another old runaway Melvin Bump (Philip Baker Hall) who David engages to do away with a ‘problem confidant’ (Lilly Rabe), after which Bump is killed and dissected and tossed into the river. The murders are never solved nor is the mystery of Katie’ disappearance. A trial (the source of the voice-over throughout the film has been the lawyer’s interrogation of David in the year 2003) fails to resolve anything and the film ends with the message that David Marks is at present a real estate broker in Florida.

Frank Langella is superb as the heartless father who drives his family like cattle in the quest of power and wealth. Ryan Gosling offer a multifaceted performance of the deeply disturbed David and is match by Kirsten Dunst’s bravura performance as Katie, the simple bright girl whose life is quashed by a powerful family’s sickness. The brilliant cast, including the performances by Philip Baker Hall and Lilly Rabe – daughter of the deceased Jill Clayburgh), has excellent cameo roles by Diane Venora, Trini Alvarado, David Margulies, Nick Offerman and many more. This is a tough film to watch because at the bottom of it all is that it is true and the cases are unsolved. It makes us cringe but it is a very fine film.

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Your Highness (2011)

In the immortal words of Sidney Deane as played by Wesley Snipes in White Men Can’t Jump; ‘The sun even shines on a dogs ass some days…’. There I was minding my own business going to watch a man fire darts from his butt hole and in 3D no less, when a kindly lady with a clipboard asks me if I wanted free tickets to a screening on Wednesday. Being the sort that never looks a gift horse in the mouth and seeing the title of said movie on the clipboard I said ‘of course my good lady, I will relieve you of the burden of your tickets’. My details were taken and I was all set to see Your Highness on Wednesday. You see this is the latest film from David Gordon Green, the art-house director who turned his hand to comedy with Pineapple Express and stars Danny McBride, James Franco, Natalie Portman and Zooey Deschanel. I knew the premise and I couldn’t wait to see what they did with it.

The film begins with Prince Thadeus (McBride) in a dwarf village with his servant/sidekick Courtney, he has clearly upset the little people as he is about to be hanged. Due to a miscalculation about the length of the rope Thadeus and Courtney escape back to the kingdom where Thadeus’s brother Fabious (Franco) has returned from another successful quest after defeating the evil Leezar (Justin Theroux) and won the hand of his new bride to be Belladonna (Deschanel). The kingdom revels in Fabious’s success and once again the oafish Thadeus is pushed to the side, preferring instead to womanize and smoke wizard weed.

At the happy couple’s wedding Leezar returns and kidnaps the virgin Belladonna with the intention of impregnating her with a dragon when the twin moons are aligned (or as Leezar politely refers to it ‘The Fuckening’). Fabious must once again go on a quest to rescue his beloved with his trusty band of knights. Thaddeus is given a choice; go on the quest with his brother and man up or get out of the kingdom. So Fabious and Thadeus set off on the quest where they will encounter a village of nude savage women, A wizard puppet who is also a possible pederast,huge mythical snake beasts, a horny minotaur and vengeful vixen Isabel (Portman). Thadeus must learn to be a hero, handle a sword and woo the fiery Isabel who is on a quest of her own.

Your Highness could have so easily become just another spoof along the lines of Epic Movie or Meet the Spartans but surprisingly just as the action was treated seriously in Pineapple Express, the fantasy elements here are just as important as the comedy. The special effects and production design are very impressive and the film certainly looks epic using the country of Ireland as its backdrop. There are evil witches firing lightning all over the place, there are mechanical beasts right out of the original Clash of the Titans and there is a weird hand/pit/monster thing that is cool as hell. Its also mega gory, limbs are hacked off and there is plenty of blood. Of course there is silly humor, very silly. If you didn’t get Green’s last comedy you may struggle here although Your Highness is probably the better film.

This could well be the film that breaks Danny McBride into super stardom as he is the main star here. He delivers his lines in a pretty flawless English accent and the character is a classic spoiled loser who must learn to be a man. Just wait until you see the scene where he takes a trophy from a kill, its hilarious and gross. James Franco is being himself but also gets plenty of laughs jabbing away at the image of the handsome prince who writes poetry while also being handy with a sword. Portman is her usual brilliant self and for all her male fans there is a bathing scene that will get your temperature up. The main cast are supported by some more traditional thespian types. Toby Jones plays a creepy town crier type, Charles Dance is the king, Damian Lewis plays a treacherous knight and Justin Theroux nearly steals the whole thing as Leezar.

Previously best known for smaller roles in David Lynch films and writing Tropic Thunder, Theroux is a comic revelation here delivering many of the films best lines with prosthetic teeth and a hideous wig. I laughed a lot and loudly and so did the packed audience. The script is written by McBride with his frequent collaborator Ben Best and clearly they have a lot of affection for the 1980′s fantasy movies they (and I) grew up with. Films like Krull, Clash of The Titans, Hawk the Slayer, Willow, Conan and Beastmaster are all wonderfully homaged and never poked fun at. It really could have died on its ass for being so ambitious but in the hands of a craftsman like David Gordon Green it works wonders.

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The Snowtown Murders Review

The first film to cover the horrific ‘bodies in the barrels’ murders, SNOWTOWN has been eagerly awaited by many fascinated Australian’s; all assuming the movie would glorify the events which took place in South Australia.

Snowtown premiered, fittingly, at the Adelaide Bigpond Film Festival in Australia to much applause and approval from the audience. Several documentaries on the murders, majority of which took place in the northern suburbs of Adelaide, were very over the top. There was a lot of worry about the movie being just as graphic and violent.

Raw, confronting, and chilling in content, the movie did not cover all the murders. Many know that John Bunting and Robert Wagner would have the victims record messages for family before being killed, which was referred to as ‘voices from the dead’. Instead of portraying most of the murders, the movie would just echo the recordings of the victims.

Another surprise of the movie, was the lead character being Jamie Vlassakis; who would eventually accomplice Bunting and Wagner in the murders. Even myself would have thought the movie would focus more on John Bunting.

The movie began showing the raw and impoverished lifestyle Jamie shared with his younger brothers and sick mother Elizabeth Harvey in the Adelaide northern suburbs. When a neighbour ‘looks after’ Elizabeth’s sons, along comes John to watch over the family and begin his relationship with Elizabeth.

Jamie and John connect immediately, with Jamie taking a liking to John and the relationship he has with the family.

Unbeknownst to Jamie, John and his friends are on a killing spree, targeting homosexuals and pedophiles.

Until John shows Jamie the body of his friend Gavin, Jamie becomes reluctantly involved; taking part in the murder of Jamie’s half-brother Troy, who earlier in the movie raped Jamie.

One of the only flaws this movie had were the two murder scenes portrayed. Most of the violence was off-screen, but saying this, the movie was made tastefully and is respectful to the victims families and friends, not going into too much details on the murders.

Justin Kurzel did a terrific job directing the well casted unknown actors, and was able to create a very raw, unsettling and draining atmosphere without focusing too much on the murders, but focusing more on the relationship between Jamie and John.

The real highlight of the movie was Daniel Henshall’s portrayal of John Bunting. Henshall was able to bring much dark and light to the character, which made his performance as Bunting very believable and the film much more powerful.

Snowtown is definitely worth a watch, but if going to watch with little knowledge of the background of the murders, I would recommend reading up on what happened otherwise the movie may be hard to follow.


Fast Tube by Casper

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