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Project X Movies Review

How far would you go to become a legend?

Would you have more people in your backyard then some countries in the world? Would you obliterate your parents’ million dollar home? How about set your entire neighborhood ablaze? For Thomas, Costa, and JB this was just the tip of the iceberg.

We welcome back Todd Phillips, infamously now known for Producing such films you may have heard of like The Hangover, The Hangover Part 2, Due Date and Old School.

Phillips brings us a film in Project X unlike we have ever seen before.

Imagine the most insane, mind-numbing, seizure inducing high school party possible, then multiply that by about million, and you have yourself, Thomas Cub’s epic birthday bash.

It’s hard to describe this film, because so much is happening all at once.

Don’t listen to the people that want to compare Project X with The Hangover or Super Bad, while there are some similar underlying tones, all three films are very different.

Project X begins with Oliver Cooper who plays Costa coming to Thomas’ house on the day of his birthday with plans of throwing a big soiree as JB would say. The catch is Costa hired an AV nerd, Dax, to film the entire event, from a first person point of view.

Now most of the film is shot this way, and when I noticed the first few minutes were continuously through this perspective, I was worried for the rest of the film. Rest assured, there is no shaky camera for two hours, and it does not become a distraction.

In fact, for this film it was actually the perfect way to present the party.

Thomas Mann plays Thomas, he’s sort of a “loser” as even his dad describes him, while JB played by Jonathan Daniel Brown is the token fat kid who chimes in with awkward input here and there.

Costa is the brains of the operation, he wants to throw Thomas a huge party for his birthday while is parents are out of town, while at the same time get laid and become infamous for all of eternity throughout California.

The greatest quality of Project X is how bad it makes you want to be there.

With the first-person camera view, you’re engulfed into the madness, from all the crazy dancing, to massive amounts of drug use to outrageous hijinks performed by various party crashers. It literally comes off as the greatest party you’ve ever seen. EVER.

And for that to be depicted so vividly on film by Todd Phillips and director Nima Nourizadeh, deserves a drunken stupor-like round of applause.

Then there is the music. Todd Phillips has been known to be ahead of the curb with music selection in his films, and the choices he makes here are phenomenal. Every major scene is accompanied by a great song, that gives this monstrosity of a party the feel it deserves.

As the party progresses obviously things go haywire. From a missing dog, to midgets, to jumping off the roof of the house, that doesn’t even give you a taste of what is about to come.

The element of surprise, in terms of shock and awe of what will be around the next corner is the basis for Project X.

If you don’t leave this film wanting to go out and have the night of your life, you don’t have a pulse.

I give a ton of credit to the casting of this film. One of the best things they did was bring in the three leads who are unknown. It made you really enjoy the journey because there was no star power. Will this film catapult Oliver Cooper, Thomas Mann or Jonathan Daniel Brown into stardom like it did for Jonah Hill in Superbad, time will tell.

There use to be a T.V. show on Nickelodeon called “Wild and Crazy Kids” well this is the high school version…with more drugs, nudity, swearing, and fire.

Simply put, this is the greatest, most unfathomable set of events taken place at a party that we have ever seen. And we all haven’t lived life to the fullest unless we were apart of it. Because after you finish watching it, you’ll be wishing you were there, you can count on that.


Fast Tube by Casper

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Somewhere (2010)

I watched the film yesterday and I was surprised by the many negative reviews this film has received. I think most of them didn’t really catch what the film is about so I felt it would have been useful to share my thoughts in the hope that they’ll help the ones that didn’t get it to better understand this movie.

This is a movie about boredom and existential discomfort, about the subtle effects of a way of living that forces you to slowly disconnect from yourself making you every day less receptive to the richness of experiences. This is probably something most of the people feel at some point in their life and to which I surely can relate. When does it start evolving? It does as soon as you are alone with your pain and you are forced to fully embrace it. The moment in which this happens is getting every day harder to achieve because there are an increasing number of things to keep you distracted from your condition.

Johnny Marco have virtually limitless resources to avoid this confrontation, and this is his biggest misfortune. The ability to get whatever he think he needs prevents him from realizing he is slowly becoming numb to life. His final breakdown is not the usual unrealistic breakdown we are used to see in most movies today, but it’s a believable manifestation of the feeling of a man that just realized something is wrong but that lacks of the self understanding needed to get what it really is. The father-daughter relationship here is just the match that ignites the small fire needed to unwittingly regain enough sensitivity to finally perceive the top of the emotional iceberg that’s hiding underneath.

The relationship with his daughter doesn’t change him drastically, they don’t unrealistically find the perfect way of communicating but they do menage to find a very basic one to the best of their abilities, and it is enough for Johnny to feel the difference when his daughter is gone and he is back to his previous life. When in the end, in the middle of his breakdown, he says on the phone “I’m not even a person” he is right, because what defines a person is his/her ability to experience, to be fully receptive to the whole spectrum of emotions.

I’ve read a lot of reviews saying this film is slow and boring but I think they are missing that it is supposed to be. It is not only boring, it is uncomfortably boring, you need to beg the director to cut to the next scene to understand the level of Johnny’s self disconnection, you can’t stand watching 60 seconds of him waiting for his mask to dry, how does he menage to bear that for 45 minutes with his face completely covered in some sticky substance breathing only through two small holes?

In the end I agree this is really not a film for everyone, but I do think that it is about something that everyone can relate to someway or another, and if you are able to make the connection you are surely going to find it food for thought.

Kathleen McCormack Missing Person, kathleen mccormack still missing?
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Pirates of the Caribbean: On Stranger Tides

Law and Order: Special Victims Unit is one of my favorite television shows, even though its gone a bit downhill lately. Is it the cast? No, because they are mostly intact. What is actually happening is that each of the main characters, known for their superb chemistry amongst each other, are suddenly spending less screen time with each other and more time to themselves. This story actually has a point. On Stranger Tides suffers the same fate: fantastic cast that don’t spend as much time with each other as we hope. Add some pointless plot lines, a calmer first-third of the flick, and you have yourself the fourth installment of Pirates of the Caribbean.

That being said, its still quite entertaining. On Stranger Tides follows a variety of people searching for the fabled Fountain of Youth. Unfortunately for us, its not just Jack Sparrow. We have Blackbeard, the Spanish, the British (led by Barbossa), Angelica, and more doing the same thing. Subplots pertaining to this quest include Jack’s past with Angelica, Barbossa’s questionable change in character, some random guy falling for some random girl (I am serious, this part was totally pointless), and the pointless Spanish people that flock in and out of the movie.

This is by far the weakest part of the movie, the script. For some odd reason, they borrowed far too much from the novel (whose pacing and themes far differ that of the Pirates brand) and forgot that sometimes simplicity is best—which is what made Curse of the Black Pearl such a great film. It was the easiest to follow, and On Stranger Tides didn’t learn from the previous two installments. To add to that, the script utterly separated everyone, even those with the best on-screen chemistry. Barbossa was barely with Jack Sparrow, Sparrow was rarely with his ex-lover, and worst of all reliable Gibbs spent minimal time with Sparrow. When they are together, the humor, the banter, tension, and the charm works well. When they aren’t, well, the movie drags a bit.

Thank goodness the cast is still on their game. Johnny Depp once again breathes life into the pirate movie with his smart, unpredictable, and hilarious portrayal of Jack Sparrow. Despite what the reviews say, Jack Sparrow’s shtick isn’t getting old as he is still a delight to watch. Geoffrey Rush once again shines as Jack’s best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans–it’s just a shame she didn’t have much time with Sparrow. Director Rob Marshall was able to shell out good performances from everyone in the cast, but he definitely wasn’t the man for this job.

Almost all the chase scenes or action sequences were done with very low-lighting and poor camera angles. With the exception of the mesmerizing and chilling mermaid sequence and the opening chase, all the action moments were missing that special touch. While the bizarreness of Gore Verbinski will not be totally missed (although his style worked perfectly in Rango), his ability to crank out excellent stuntwork and fights was sorely missing here. At least we got to see plenty of it, from the opening chase to the final dramatic (and short) showdown. Say whatever you want, but there has yet to be anything that can top the infamous three-way sword fight/old mill showdown from Dead Man’s Chest.

Bottom Line: Pirates of the Caribbean: On Stranger Tides is a mix of frustration and fun. There was plenty of potential that wasn’t met because of questionable plot lines, pointless moments, lack of chemistry (once again: writer’s fault. Good going Ted Elliot and Terry Rossio), and uneven direction. All that banter aside, Pirates is also plenty fun with several delightful moments, funny lines, and much more action than the last Pirates flick. Johnny Depp, Penelope Cruz and company keep the movie afloat, and prevent it from being a pure bore. But I think the franchise works better when Verbinski is behind the camera. On Stranger Tides is decent summer entertainment, but doesn’t have the inescapable magic and charm of the first two.

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