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Pirates of the Caribbean: On Stranger Tides

Law and Order: Special Victims Unit is one of my favorite television shows, even though its gone a bit downhill lately. Is it the cast? No, because they are mostly intact. What is actually happening is that each of the main characters, known for their superb chemistry amongst each other, are suddenly spending less screen time with each other and more time to themselves. This story actually has a point. On Stranger Tides suffers the same fate: fantastic cast that don’t spend as much time with each other as we hope. Add some pointless plot lines, a calmer first-third of the flick, and you have yourself the fourth installment of Pirates of the Caribbean.

That being said, its still quite entertaining. On Stranger Tides follows a variety of people searching for the fabled Fountain of Youth. Unfortunately for us, its not just Jack Sparrow. We have Blackbeard, the Spanish, the British (led by Barbossa), Angelica, and more doing the same thing. Subplots pertaining to this quest include Jack’s past with Angelica, Barbossa’s questionable change in character, some random guy falling for some random girl (I am serious, this part was totally pointless), and the pointless Spanish people that flock in and out of the movie.

This is by far the weakest part of the movie, the script. For some odd reason, they borrowed far too much from the novel (whose pacing and themes far differ that of the Pirates brand) and forgot that sometimes simplicity is best—which is what made Curse of the Black Pearl such a great film. It was the easiest to follow, and On Stranger Tides didn’t learn from the previous two installments. To add to that, the script utterly separated everyone, even those with the best on-screen chemistry. Barbossa was barely with Jack Sparrow, Sparrow was rarely with his ex-lover, and worst of all reliable Gibbs spent minimal time with Sparrow. When they are together, the humor, the banter, tension, and the charm works well. When they aren’t, well, the movie drags a bit.

Thank goodness the cast is still on their game. Johnny Depp once again breathes life into the pirate movie with his smart, unpredictable, and hilarious portrayal of Jack Sparrow. Despite what the reviews say, Jack Sparrow’s shtick isn’t getting old as he is still a delight to watch. Geoffrey Rush once again shines as Jack’s best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans–it’s just a shame she didn’t have much time with Sparrow. Director Rob Marshall was able to shell out good performances from everyone in the cast, but he definitely wasn’t the man for this job.

Almost all the chase scenes or action sequences were done with very low-lighting and poor camera angles. With the exception of the mesmerizing and chilling mermaid sequence and the opening chase, all the action moments were missing that special touch. While the bizarreness of Gore Verbinski will not be totally missed (although his style worked perfectly in Rango), his ability to crank out excellent stuntwork and fights was sorely missing here. At least we got to see plenty of it, from the opening chase to the final dramatic (and short) showdown. Say whatever you want, but there has yet to be anything that can top the infamous three-way sword fight/old mill showdown from Dead Man’s Chest.

Bottom Line: Pirates of the Caribbean: On Stranger Tides is a mix of frustration and fun. There was plenty of potential that wasn’t met because of questionable plot lines, pointless moments, lack of chemistry (once again: writer’s fault. Good going Ted Elliot and Terry Rossio), and uneven direction. All that banter aside, Pirates is also plenty fun with several delightful moments, funny lines, and much more action than the last Pirates flick. Johnny Depp, Penelope Cruz and company keep the movie afloat, and prevent it from being a pure bore. But I think the franchise works better when Verbinski is behind the camera. On Stranger Tides is decent summer entertainment, but doesn’t have the inescapable magic and charm of the first two.

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Gulliver's Travels (2010)

Ever since I saw the trailer I wanted to see Gulliver’s Travels. I love Jack Black. I love Amanda Peet. I love the story. Turning Gulliver’s Travels into a 3D movie seemed like an excellent idea… at first.

The story begins in New York. Jack Black – Star Wars and Guitar Hero geek – has been working for ten years in the mailroom of a big publishing company. He’s secretly in love with an editor for travel stories (Amanda Peet) and applies for a writing job just to impress her. He gets it eventually by stealing text from an article from the Time Out website. Soon he heads for the Bermudas for his try-out assignment, writing about a man who knows the secret of the Bermuda Triangle. Jack almost dies in a big storm and ends up on a beach surrounded by mini people. Yes, Jack has arrived in Lilliput Land where he will become the hero who saves the land from a nearby evil kingdom. No spoiler there.

Jack Black is the guy you love to love. And as a fan you really hope that Gulliver’s Travels is as good as the trailer promises. Unfortunately, it isn’t. Although Jack must use his dick to stop a catastrophe (like in the original book)and he gets a tiny Lilliputian right in his arse, this actually is a family friendly movie. Too bad, I think, because the story that is presented is too safe to be satisfactory entertaining and is almost without any suspense or surprises. The best part is the opening credits. Here we see famous scenes from Manhattan filmed with a special camera lens so it all resembles a miniature city. It’s an almost poetic beginning that is in firm contrast with the rest of the story, that seems chaotic and rushed.

When Jack arrives in Lilliput Land he does all the things you expect him to do. He starts out as a prisoner. Becomes the hero. Falls out of grace and leaves the Lilliput island, only to return and be the hero one more time by entering a Wild Wild West like confrontation. Some of the fun scenes with the tiny Lilliputians really work. The table-soccer scene for instance, as seen in the trailer. And there’s also a nice scene in a theater that includes some funny spoofs on famous 20th Century Fox movies like Empire Strikes Back and Titanic. In Lilliput Land Jack makes his own Times Square, complete with posters from famous movies and musicals. Real funny.

The problem with Gulliver’s Travels is that all the elements are there. The advantages of being a giant. The love story. The scene with the boats on a string. But why is the story so unimaginatively predictable? Just when things become interesting, a different problem should be solved by our hero. The story goes to the left, then to the right and could therefor use more scenes that prepare you for all the exciting things that are about to happen. Nice example of this is when Jack gets banned from Lilliput island. He’s moved away by boat and arrives in a land not filled with tiny people but with very… well, you can do the maths. It all happens so sudden and his escape from this island goes even faster. No suspense here. And then the main love story. That Jack Black really fancies Amanda Peet, that I can understand. I also believe the fact that Amanda Peet thinks Jack Black is a real nice bloke. But that she’s secretly in love with him as well… mmm, that wasn’t convincing at all.

True. Gulliver’s Travels wasn’t made to earn Oscars. And in the end it’s a nice family movie for the upcoming holidays. But with a better script, better editing, a less moralistic ending and a more outrageous Jack Black this could have been big. Now it’s just another blockbuster special effects comedy that you will almost have forgotten the moment you leave the cinema.

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Little Fockers (2010)

“Little Fockers” was always going to be the inevitable three-quel, seeing as how the US$55mil original “Meet the Parents” made a surprisingly sweet US$330mil worldwide and its US$80mil sequel “Meet the Fockers” amassed even more. So here we are, six years after the events of the last film, with Greg Focker (Ben Stiller) and Pam (Teri Polo) settled down with twins, their children’s fifth birthday party the excuse for a reunion between old foes.

The contest of wills between the distrustful and intimidating ex-CIA agent Jack Brynes (Robert De Niro) and his hapless son-in-law cum male nurse Greg (Ben Stiller) has always been the cornerstone of the “Meet the Parents” movies; and despite some distractions with Greg’s hedonistic and particularly libidinous parents (played by Dustin Hoffman and Barbra Streisand) in the sequel, the focus is now squarely back to the simmering tension between father and son-in-law.

That tension starts all over again when Jack begins to suspect that Greg isn’t up to the task of being “the Godfocker”, the one entrusted with the responsibility of protecting the Brynes family line. The complications in between are both old- the return of Pam’s wealthy ex- lover Kevin (Owen Wilson) whom Jack openly favours- and new- the pharmaceutical rep (Jessica Alba) with the hots for Greg and whom Jack suspects Greg is having an affair with, culminating in a mano-a-mano fight between Jack and Greg in a ball pool at the party.

Though their rivalry has just about lost its novelty, De Niro and Stiller still go at each other like pros, and the result if not as fresh is just as amusing. Pity then that the script by John Hamburg and Larry Stuckey resorts too conveniently to cheap sexual gags revolving around some erectile dysfunctional drug Alba’s drug rep is selling, including a genuinely low-brow sequence where Greg has to inject Jack in the privates after Jack’s overdose on the Viagra-like pills. Both De Niro and Stiller play along gamely, and their fearlessness is the main reason these physical gags are still hilarious to watch.

Ditto the rest of the ensemble cast- Teri as the sweet supportive wife Pam, Blythe Danner as Jack’s wife- who return dutifully to fill out their previous roles but are even more under-utilised than before. Worse still, Dustin and Barbra have been reduced to mere cameos who appear at the start and the end of the movie; and even newcomer Harvey Keitel only gets a brief scene with De Niro in a wink-wink reunion of the two actors whose movies together include classics like “Mean Streets” and “Taxi Driver”.

Such a gathering of talents should definitely have accounted for more, but unfortunately the material doesn’t quite match up to their comedic abilities. Director Paul Weitz (“American Pie”, “About A Boy”)- taking over the reins from Jay Roach- relies ever too easily on broad slapstick of the “Gaylord Focker” kind, eschewing the more sophisticated laughs in discomfort, awkwardness and humiliation that were a hallmark of its predecessors. Yet if the film still remains a pleasurable delight, it is thanks to the obvious familiarity amongst members of the returning cast with their roles, clearly evident in the outstanding on screen dynamics between their respective characters.

And despite its title, “Little Fockers” really isn’t about the five- year-old twins (played by Daisy Tahan and Colin Baiocchi), but rather the adults around them that we’ve come to know through the earlier two movies. Rather than coming up with something new, the film throws up more of the same-old and familiar from its predecessors- Pam’s ex-flame Kevin, the sexually open Focker parents and of course, the continuous tension between Jack and Greg. But thanks to the excellent cast, this third instalment, while no longer fresh or inventive, remains amusing and even hilarious at times.


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