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City of Life and Death Movies Review

Since I am not Chinese, or of Chinese extraction, City of Life and Death has a different resonance for me. I know of the Nanking massacre (for which, it has to be said, the Japanese have yet to apologise or even properly acknowledge) from my own interest in history, as well as the John Rabe story (the Nazi who helped save thousands of Chinese civilians, until recalled to Germany since Hitler did not wish to upset his Japanese allies).

Therefore, for me, City of Life and Death retells a fearful part of history, but not one with which I have any direct connection. So while this film may resonate a certain way for Chinese viewers, be they from the mainland, Hong Kong or overseas Chinese, I can tell you that I, as a European, have seldom seen a film so powerful, gripping, dramatic and moving.

City of Life and Death is not nationalistic propaganda or a reversioning for the screen: no punches are pulled. The woman next to me was in tears. So be warned, this is not easy viewing. But by featuring on a few characters, allowing them to become fully three-dimensional human beings (not Chinese, not Asian, but human beings who live, love and feel) director Lu Chuan makes his audience feel and share their fear and terror as the Japanese invaders commit atrocity after atrocity on the fallen city’s inhabitants. Never forget, this actually happened.

If anything, Lu Chuan soft pedals on the horrors. They are depicted, but are not front and centre. This is not a horror film so gore hounds and ghouls should seek their thrills elsewhere. Rather, it is the arbitrariness with which the Japanese went about their murderous work that scares. Wrong place, wrong time: rape, torture, murder. This wasn’t the efficient, methodical murder the Nazis introduced, but rather cold brutality, as a cat toys with a helpless mouse. Unthinking, unreasoning, just because.

Filmed in black and white, City has so many images and scenes that remain fixed in you mind long after the final credits have rolled. Lu Chuan even selects the grain and grading according to the action. The use of colour would, in this case, have weakened the film.

But if City of Life and Death were just two hours of suffering it would be unworthy of an audience. So Lu Chuan gives us the central characters of Mr. Tang (John Rabe’s secretary), Miss Jiang (a schoolteacher) and Kadokawa (a sensitive Japanese soldier who witness but cannot delay the unspeakable). All of them are helplessly swept up in the maelstrom, which Lu Chuan leavens with scenes of (attempts at) normal life, normal human interaction and naked attempts at survival. These are people with whom one can identify and empathise.

Yet, at heart, City of Life and Death is extremely uplifting. The message, at the end, is positive and optimistic. In writing this review, the film is coming back to me again. What I once read, black and white on a page, has been made real for me and, yes, I’m emotionally moved by it.

If you believe in the power of film, want a break from popcorn entertainment, are looking for a film that can make you feel (as opposed to having your emotions manipulated) then please go see this one. It’s rare when I think a film should be seen, deserves to be seen, but City of Life and Death belong in that very rare category.

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The Snowtown Murders Review

The first film to cover the horrific ‘bodies in the barrels’ murders, SNOWTOWN has been eagerly awaited by many fascinated Australian’s; all assuming the movie would glorify the events which took place in South Australia.

Snowtown premiered, fittingly, at the Adelaide Bigpond Film Festival in Australia to much applause and approval from the audience. Several documentaries on the murders, majority of which took place in the northern suburbs of Adelaide, were very over the top. There was a lot of worry about the movie being just as graphic and violent.

Raw, confronting, and chilling in content, the movie did not cover all the murders. Many know that John Bunting and Robert Wagner would have the victims record messages for family before being killed, which was referred to as ‘voices from the dead’. Instead of portraying most of the murders, the movie would just echo the recordings of the victims.

Another surprise of the movie, was the lead character being Jamie Vlassakis; who would eventually accomplice Bunting and Wagner in the murders. Even myself would have thought the movie would focus more on John Bunting.

The movie began showing the raw and impoverished lifestyle Jamie shared with his younger brothers and sick mother Elizabeth Harvey in the Adelaide northern suburbs. When a neighbour ‘looks after’ Elizabeth’s sons, along comes John to watch over the family and begin his relationship with Elizabeth.

Jamie and John connect immediately, with Jamie taking a liking to John and the relationship he has with the family.

Unbeknownst to Jamie, John and his friends are on a killing spree, targeting homosexuals and pedophiles.

Until John shows Jamie the body of his friend Gavin, Jamie becomes reluctantly involved; taking part in the murder of Jamie’s half-brother Troy, who earlier in the movie raped Jamie.

One of the only flaws this movie had were the two murder scenes portrayed. Most of the violence was off-screen, but saying this, the movie was made tastefully and is respectful to the victims families and friends, not going into too much details on the murders.

Justin Kurzel did a terrific job directing the well casted unknown actors, and was able to create a very raw, unsettling and draining atmosphere without focusing too much on the murders, but focusing more on the relationship between Jamie and John.

The real highlight of the movie was Daniel Henshall’s portrayal of John Bunting. Henshall was able to bring much dark and light to the character, which made his performance as Bunting very believable and the film much more powerful.

Snowtown is definitely worth a watch, but if going to watch with little knowledge of the background of the murders, I would recommend reading up on what happened otherwise the movie may be hard to follow.


Fast Tube by Casper

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Horrible Bosses (2011)

Murder. Car chases. Scandal. Rape. Conspiracy. Blackmail. Revenge. These are usually the key words to a suspenseful drama, but in this case are applied to a dark comedy that is relentless, chaotic, and just as funny as advertised. Horrible Bosses is the type of movie that would make Danny DeVito proud, as it blends a fun plot full of fun twists with standout comedic performances, plenty of surprises, and the inability to ever become predictable. Unlike most recent R-rated comedies, this film is raunchy without truly crossing the line, profane without becoming redundant and outrageous without becoming tedious. Don’t look now but this movie is legitimately funny, and among the better comedies released in quite some time.

Horrible Bosses is about three average joes (Jason Bateman, Charlie Day, Jason Sudeikis) that are stuck on their job with awful bosses (Kevin Spacey, Jennifer Aniston, Colin Ferrell) all for different reasons. After all three reach their breaking point, they decide that their lives would be better if their bosses ceased to exist. What follows is their hilarious efforts in finding a way to get it done without getting caught. The premise was promising and thanks to a fresh script by Michael Markovitz, John Daly, and Jonathan Goldstein, the potential was indeed delivered—although not in the ways you’d expect.

The cast is hands-down the standout reason why this movie works. As a matter of fact its also its one minor flaw because we have tons of talent that were not utilized enough because some of the performances were so hilarious in the minimal material given. The bosses themselves were convincingly awful, especially the always-reliable Kevin Spacey as this sadistic, manipulative, and extremely cruel president of a company. Colin Ferrell and Jennifer Aniston step out of their usual roles and surprisingly deliver plenty of laughs with their own cruelly aggressive mannerisms. The main three also provided plenty of laughs and played off each other perfectly well, with Charlie Day being the best of the three. Day’s experience with the mildly-dark “It’s Always Sunny in Philadelphia” definitely shows off here, as his whiny and high-pitched voice perfectly matches his character persona and offers the most laughs and one-liners.

Seth Gordon’s resume as director has been an interesting one; ranging from the enjoyable Fistful of Quarters to the weak-weak Four Christmases. In here, he keeps the pace constantly quick, constantly throws a crazy scenario to pit our heroes in, and never gives you a chance to breathe and realize how preposterous this movie really is. The movie’s raunchiness is matched by its grim sense of humor—you need a dark strong heart to laugh at some of the mean-spirited shtick that is embedded in the 100 minute timeframe. In this movie, nobody is safe, and you never know just what might happen next. Unpredictability is essential in comedy, and the best part of Horrible Bosses is how it can remain one step ahead of you while still giving plenty to laugh about. We are laughing at our heroes but secretly we are definitely rooting for them too. Yes folks, you will secretly be hoping that they do indeed do the dirty deed.

Bottom Line: The talent pool runs deep here, and is the main reason why the film works. Luckily for us and the cast, they also got to work with great pacing, a fun script, and fresh dark humor that can inject life in this dismal summer season. The underrated talent of Sudekis, Day, and Bateman continue to quietly shine in Hollywood as they are hilarious from the first second to the closing credits. But let’s not forget the triple-villain team of Aniston, Spacey, and Ferrell, which infused even more humor (and craziness) into the comedy. To sum it up, the film works in its dark manner, as Horrible Bosses never takes itself seriously, but you’ll be too deep into laughter to notice the difference. The movie is dark as the movie earned its R rating easily, but if you can handle it you are in for a uproarious ride. Keep an eye on this one, as it is one of the best summer surprises in recent years.


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