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Home » dir » Final Scene The Grey

The Grey Review

A lot of people will complain about this film not having enough action or being too introspective or whatever other reason they can think of not to like the film. But the reality is, this is a fantastic movie about survival when there is little to no chance of doing so. In fact, the film speaks about a lot of things. It speaks about man versus nature, about being male, and about the human spirit’s need to persist. What this film is not is an action-adventure or one about Liam Neeson punching wolves. No, the trailer really pulled a number on anyone expecting a loud movie about wolf killing.

The film’s setup is simple: Neeson’s bodyguard-like character to a group of men drilling in Alaska finds himself and several others having survived a plane crash and facing the cold, harsh wilderness in an attempt to get back to civilization. In said wilderness, they are faced with a pack of wolves who have had their space invaded by these men and are out for blood. The cast is mostly fantastic, but obviously Neeson shines in the lead role. He is the kind of hard-edged man we’ve seen of him recently, but like the rest of the cast, he is vulnerable. The film speaks a great deal about the male ego and what it means to actually be a man. We’re told that these men Neeson is protecting are some of the worst kind of men, being criminals and just general a-holes. But when faced with such impending doom, these men show their vulnerabilities. They come across as tough and gruff. Even Neeson plays things cold and disconnected, but over the course of the film we learn about each of the men, see the things they truly care about, and even see them face fear when they would otherwise not admit to being afraid. It’s a film that shatters the image of male machismo in a slow, thought provoking way.

Now, I’ve already mentioned that the film isn’t an action-adventure in the way that people might expect, but it is nonetheless heart racing (or stopping, take your pick). Nearly every minute of screen time is taken up by some kind of tension, and this is in part thanks to pure visual and audio goodness. The darkness surrounding the men, the sounds of trees breaking, or wolves howling. It all creates a frightening, edge of your seat atmosphere. And when the attacks come, they come quickly and quietly. It’s unsettling and has you bracing for more. It’s not just wolf attacks either. Nature is as much a killer of these men as the wolves, and facing the cold and an attempt to escape prove harrowing, and sometimes even fatal. It’s a film shot beautifully, but in that beauty is true terror, the kind of which few films these days can create. Sound is as much apart of that terror as it’s look, and the two combine fantastically.

The film is also fairly depressing. There is little hope here, and as the men come to face their individual fates, the sense of dread grows greater. This coupled with an ending that many may find disappointing will probably turn other viewers off. I, for one, was not. The movie is still quite fantastic despite it’s depressing tone, and even if the ending isn’t quite what we’d anticipate, there’s enough of a sense of finality in it that it seems justified. In other words, if all you expect is a film that is shallow and about what you see, instead of what you feel and think, then you will most likely be disappointed. But if you’re looking for an exciting, edge of your seat, thought provoking film with a lot to say, then The Grey is something you will probably enjoy. It’s certainly a heck of a good way to kick off a new year of cinema.

[http://www.youtube.com/watch?v=gb1aTdC929w&feature=fvst]

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Harry Potter and the Deathly Hallows: Part 2 (2011)

I watched Harry Potter and the Deathly Hallows Part 1 and was very pleased with how well it stuck to the book. Because of this, I had high expectations for Part 2. I mean, if you did so well in the first half, you have to do just as well in the second half, right? Right? Wrong.

The movie started off very well, starting from exactly where it left off in Part 1 and staying faithful to the book all the way to when Harry and co break into Hogwarts. That’s where it starts to go down hill.

*Spoilers!*

The good:

- Neville. He was perfectly perfect. I really wish they gave him more screen time because he was adorable.

- The Gringott’s scene. Very well done.

- The emotion we are shown from Snape. Throughout the series, he’s been rather monotonous and emotionless. In the pensieve, we see a different side of him and it is a refreshing change.

- The battle at Hogwarts. It was intense and wonderfully done.

- Helena Ravenclaw. It was very emotional and creepy. Although they did not tell us her back story with the Bloody Baron.

- Rupert Grint and Dan Radcliffe shirtless. That’s certainly a plus.

OK you know it’s bad when I resort to writing about that.

The bad:

- They completely took out the scene where Harry and Luna go into the Ravenclaw Common Room, where they are ambushed by one of the Carrows. It appeared as if they would show it, as I hope they would (I’ve always wanted to see the other common rooms), but then they don’t. Hm.

- Fred’s death scene. Gone. Yup. They show his body once at the end and don’t even give you time to grieve before moving on to the next scene. This was an insult to his character’s memory.

- Crabbe’s disappeared. Gets replaced by Zabini, and replaced in a different way by Goyle.

- Snape’s memories are rushed and they take out some of the most interesting memories. They just go through a few of them quickly. I’ve always enjoyed the memories, because you get to see life at Hogwarts through the eyes of someone else for a change, in a different time era.

- Hermione and Ron battle Nagini, and eventually Neville slays the snake. Eventually. It takes some time getting to that scene.

- There is not a single mention of Teddy Lupin. That is, until the end when Harry suddenly knows about Lupin’s son. Weird, considering Harry was camping in a forest and hadn’t heard of any of this.

- Collin Creevey is replaced by that random Nigel kid.

- The students are not sent home. No, the teachers think it’s OK to just lock the Slytherins in the dungeons and let everybody else stay and fight.

- Still no mention of the significance of the horcruxes. Hufflepuff’s cup is just a plain old cup that Voldy turned into a horcrux.

- Not enough interaction with characters other than the trio. Too much Harry. It’s as if everybody else just have cameos.

- Random scene where they blow up one of the bridges (ignoring the fact that there are like 2 other bridges that would take them into the school).

- Voldemort’s and Bellatrix’s death = explosion into confetti!

- Percy’s on the good side all of a sudden. No explanation at all (a reoccurring theme with Yates, don’t you think?).

- Harry does not fix his old wand with the Elder Wand. No, instead he takes the Elder Wand and SNAPS IT IN HALF. Is that even possible? I didn’t think so. So Harry breaks the wand and then chucks it into the abyss. Really Yates, really?

- All of the fun and cheerful dialogue from the future scene has been resorted to everybody staring and smiling at each other. No explanation once again. They don’t even say who’s who! Plus there is absolutely no chemistry between Dan and Albus Severus. And it was really awkward to see them all with old make up on.

- Goodbye Dumbledore’s back story!

- Too many attempts at one-liners and humorless jokes.

*End of Spoilers*

All in all, all of the personality and charm of the series was zapped away in an attempts to make this final movie is action-packed as possible. It’s a shame to see something that you’ve grown up with, learned to love, taken and twisted into somebody’s ‘vision.’ I mean, why bother adding your own unimportant scenes to the movie, when there are perfectly good ones in the book that you did not bother using at all? There’s no…bonding with the characters, no connection with them you felt in Part 1. I did not feel the love for this movie like I had with the book. There was just so much significance that was left out of that movie, and it is such a shame. It had such potential to be a fantastic movie, and it fell short all because of the changes that were unnecessarily made.

See the movie, and I’m sure you’ll form your own opinion of it. It’s not a bad movie, just disappointing and unsatisfying for a die-hard fan who’s been following the books for 10 years of their life.

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Final Destination 5 (2011)

Death is just as omnipresent as ever and is unleashed after one man’s premonition saves a group of coworkers from a terrifying suspension bridge collapse. But this group of unsuspecting souls was never supposed to survive, and, in a terrifying race against time, the ill-fated group frantically tries to discover a way to escape Death’s sinister agenda. – - (C) Warner Bros

If you’re going in to see FD5, it’s because you know what you’re expecting. Although I’m a fan of the series, I’ll admit it did show its staleness after FD2, which is arguably the series’ high point. As expected, the formula hasn’t changed, although there are a few new tweaks here, the main one including the addition that the survivors can now kill someone to take their life and maybe, just maybe, escape Death’s clutches. It’s interesting to note that this new twist is the opposite of what was offered in FD2, in which new life can defeat Death, but taking life is much more readily apparent and dramatic than creating new life. Not only do they have to worry about Death, but they also have to worry about what they are willing to do to survive, which provides some very tense external conflict between the characters.

As you guys might have figured out from the above, yes, FD5 has a plot this time around. There’s also an unexpected ending that you will make you go OMG or WTF, if it isn’t already spoiled to you, of course. It’s also good to know that Eric Heisserer’s tight script devotes some time to the survivors that are getting picked off. You start to feel for them as they are about to die. As much as I’m thankful for this, it’s obvious that people still see these films for the opening disaster and death sequences, and they do not disappoint. Without spoiling anything, the opening bridge disaster is a nasty piece of work, utilizing the 3D to the fullest extent. I’m a huge horror fan, but even I found it very hard to watch, jerking my hands back as each character is killed off in grisly ways. Without a doubt, it’s the best opening disaster since FD2.

And the death scenes. Wow. They are disturbing, funny, and shocking and sometimes all at the same time. This is because newcomer director Steven Quale plays with the audience’s expectations. He lays out so many things that can kill off a character in a certain scene and when you think this sharp object will impale them, they die in a completely different way. The build up is what makes these films fun to watch (apart from the last one). I also liked the fact that this film returned to the original film’s serious roots, which isn’t to say that it takes itself too seriously because there’s an underlying sense of dark humor that’s strangely entertaining and self-aware of itself.

The ensemble cast is a mixed bag for sure. Our protagonist, Nicholas D’Agosto, doesn’t really live up to his character’s dramatic arc. He seems to overact his lines although he was much better in the second half. Emma Bell is a bit better although she wasn’t as good as she was in FROZEN. Miles Fisher also doesn’t live up to his character’s internal struggle when giving off a whiny performance. However, the other supporting castmembers are quite good, including Ellen Wroe, Jacqueline MacInnes Wood, and Arlen Escarpeta. P.J. Byrne, in particular, is someone you should look out for, providing some of the film’s biggest laughs, playing a character you just love to hate. David Koechner also provides some great laughs. I was disappointed with Courtney B. Vance though because he had little to do. Tony Todd is back since he was last seen in FD2 and he’s like the American version of Snape (from Harry Potter). I love the way he delivers his lines with one…word…at…a…time.

Visually, the film has some above average production values. As said before, the bridge sequence is like something from a $100 million budgeted action flick. The 3D is the best that has been offered so far this year, which comes to no surprise seeing that Quale has worked with James Cameron on AVATAR. Even from the film’s ingenious and original opening credits, we have shards of glass, knives, bodies, and blood flying at us in amazing sharpness. Yet the 3D gimmick can only go so far, and Quale knows that so he doesn’t overdo it by providing us with scenes of depth. Honestly, it’s the best of both worlds. The soundtrack by Brian Tyler is great as well and is definitely different from the previous entries.

All in all, FD5 brings unexpected new life to the dying franchise. The plot is handled well and most of the performances are good. If anything, this sequel proves that with new blood working behind the scenes can come a refreshing film. If you want to see the film, by all means see it in 3D because it is worth every penny. FD5 is shocking, entertaining, suspenseful, funny, disturbing, and is probably as good as FD2. It seems to be a good year for 5′s (FAST FIVE included).

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