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The Grey Review

A lot of people will complain about this film not having enough action or being too introspective or whatever other reason they can think of not to like the film. But the reality is, this is a fantastic movie about survival when there is little to no chance of doing so. In fact, the film speaks about a lot of things. It speaks about man versus nature, about being male, and about the human spirit’s need to persist. What this film is not is an action-adventure or one about Liam Neeson punching wolves. No, the trailer really pulled a number on anyone expecting a loud movie about wolf killing.

The film’s setup is simple: Neeson’s bodyguard-like character to a group of men drilling in Alaska finds himself and several others having survived a plane crash and facing the cold, harsh wilderness in an attempt to get back to civilization. In said wilderness, they are faced with a pack of wolves who have had their space invaded by these men and are out for blood. The cast is mostly fantastic, but obviously Neeson shines in the lead role. He is the kind of hard-edged man we’ve seen of him recently, but like the rest of the cast, he is vulnerable. The film speaks a great deal about the male ego and what it means to actually be a man. We’re told that these men Neeson is protecting are some of the worst kind of men, being criminals and just general a-holes. But when faced with such impending doom, these men show their vulnerabilities. They come across as tough and gruff. Even Neeson plays things cold and disconnected, but over the course of the film we learn about each of the men, see the things they truly care about, and even see them face fear when they would otherwise not admit to being afraid. It’s a film that shatters the image of male machismo in a slow, thought provoking way.

Now, I’ve already mentioned that the film isn’t an action-adventure in the way that people might expect, but it is nonetheless heart racing (or stopping, take your pick). Nearly every minute of screen time is taken up by some kind of tension, and this is in part thanks to pure visual and audio goodness. The darkness surrounding the men, the sounds of trees breaking, or wolves howling. It all creates a frightening, edge of your seat atmosphere. And when the attacks come, they come quickly and quietly. It’s unsettling and has you bracing for more. It’s not just wolf attacks either. Nature is as much a killer of these men as the wolves, and facing the cold and an attempt to escape prove harrowing, and sometimes even fatal. It’s a film shot beautifully, but in that beauty is true terror, the kind of which few films these days can create. Sound is as much apart of that terror as it’s look, and the two combine fantastically.

The film is also fairly depressing. There is little hope here, and as the men come to face their individual fates, the sense of dread grows greater. This coupled with an ending that many may find disappointing will probably turn other viewers off. I, for one, was not. The movie is still quite fantastic despite it’s depressing tone, and even if the ending isn’t quite what we’d anticipate, there’s enough of a sense of finality in it that it seems justified. In other words, if all you expect is a film that is shallow and about what you see, instead of what you feel and think, then you will most likely be disappointed. But if you’re looking for an exciting, edge of your seat, thought provoking film with a lot to say, then The Grey is something you will probably enjoy. It’s certainly a heck of a good way to kick off a new year of cinema.

[http://www.youtube.com/watch?v=gb1aTdC929w&feature=fvst]

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Vanishing on 7th Street (2010)

This movie had so much potential but in the end, it was nothing but an unfinished, unexplained, mess with no questions answered & a cheesy, stupid ending.

Imagine this: a normal morning in your everyday big city – taxis, cars, people, etc.. all going about their lives when suddenly, with no warning, a wave of darkness washes over the city wiping away all electrical light as well as daylight instantly – the darkness lets up and everyone is gone, nothing but their clothing from where they once stood, remains.

Who survives? A man working at a movie theater who had a battery powered headlight(Leguizamo). A man who was sleeping near lit candles (Christensen). A woman who had just stepped out to take a smoke break & opened the lighter at the exact second it happened (Newton)..people who were near prevailing light sources when the darkness came.

Now there is a fight for survival against the darkness that seems to be quickly taking over any light left – daylight becomes increasingly scarce w/ night lasting longer & daytime lasting shorter. Batteries used for flashlights keep dying, lasting at first hours on end but quickly dying out after minutes. Nearly all cars are dead – batteries drained. The survivors are trapped in a city (specifically 7th street) that is being taken over by night, a darkness that will take you unless you are surrounded by light.

Sounds interesting, right? I know.. this movie had so much promise which makes the execution so frustrating. I wish someone would have told me going into it not to try and figure out what was happening. With most psychological thrillers or horror films like this, creepy/odd things happen & then in the end, an explanation is given for what happened & why. I kept trying to find clues, piece them together & figure out what the initial darkness was, why it was light vs. dark, why the daylight was getting shorter, why light sources were dying at rapid rates, etc.. & how the darkness had a mind of it’s own since it is shown in the movie that the darkness thinks & has the ability to create fake light sources as well as add in loved ones’ voices to draw the survivors out, thinking they are safe and without warning the light goes out and the person is taken instantly.

…but alas nothing is ever explained. The audience is just supposed to accept what happened as an unexplained disappearance & take it for what it is – so beware – don’t bother trying to piece together what is happening, that is too advanced of a concept for this film.

I want to be clear that this is NOT some high concept, brilliant movie that answers some questions in a vague, thought provoking manner that leaves the audience drawing their own conclusions.. movies like that can be quite interesting. Just b/c this film doesn’t answer questions about what is happening & why, doesn’t magically make it ‘brilliant’ or ‘smart’ – this film is straight forward with a disappearance of a population, a light vs. dark scenario and the explanation that it’s just an unexplained disappearance which isn’t any explanation at all.

3/10 Utter failure – anyone can come up with some crazy concept, the true talent is putting all the parts together to explain the truth behind the mystery or what is really happening & this movie doesn’t even bother. Also, I found it hard to sympathize/care about any of the leads. I didn’t really care if they lived or died (do they even really die? Who knows – again.. what happens to those that disappear was never explained) Also, the movie comes to a halt about 30 minutes in when a place called Sonny’s Bar comes into play – and never really get back to where it was going. Finally, expect the usual problem of characters acting stupidly in this movie – when someone is in need of a light source & is desperate, FIRE come to mind especially when surrounded by alcohol in a bar & there is tons of fuel at their disposal from the cars in the streets – too bad no one could take that mental leap.

Just to be clear, the idea that it’s a reboot or some Adam/Eve scenario which I saw some people trying to sell as answers is NOT an explanation – that is just a potential reason for what happened but still doesn’t answer anything about how it happened. If the people turn into the darkness/shadows when they are taken, then what was the darkness made of when it initially came – it was obviously large & powerful enough to take over everything & wipe out ALL electrical light so what was that? Why light vs. dark? What was going on with Leguizamo’s character’s death? etc…

Also – the Adam/Eve idea based on the boy/girl in the end makes NO sense given the ending of the film. If they road off into the sunset w/ daylight shining upon them, then I might buy that (as a reason for what happened, NOT as an actual explanation as to how it happened) BUT that is not the case. As the boy/girl ride off, the shadows/darkness can be seen taking back over the city w/ night fall coming signaling to the audience that whatever is happening is NOT over. If the girl’s magical flashlight dies – then I am assuming she & the boy will be gone just like everyone else. There was no indication in the end that the occurrence was over so clearly the 2 kids are not the chosen ones so that theory doesn’t work.

by PhantomAgony from United States (IMDB)

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Transformers: Dark of the Moon

Man, so much stuff happens in this damn movie. One can only scratch the surface of what the movie has to offer when reviewing it. The best I can do is list the best and worst of it.

The Good

The best thing about these movies is how they look, how well the transformers integrate into the real-life footage to make a compelling action sequence. Here it’s cranked to eleven, and the CG is very impressive. On the larger shots, even tiny transformers far in the background look convincing.

There a several action set pieces (specifically towards the end) which are easily some of the best of the trilogy. The whole scene with the collapsing building and the tracking shot of Optimus slicing and smashing his way through a bunch of decepticons are colossal showstoppers.

This is also one of the best 3D movies to date. One major critique of 3D is that 3D glasses make the film darker, but here they do a very smart thing, the film itself is brighter than your average movie and this problem evens itself out. Another thing that worried me before I saw it is that if there was so much high-speed action maybe that and the combination of 3D would give me motion sickness, end of the movie: no problems.

The Bad

The villains suck. Megatron does absolutely nothing throughout the whole film until right at the end, and even that was a let down. Shockwave appears briefly at the start and vanishes for two hours, he himself doesn’t actually do much, it’s all down to this big nameless tentacle-clad decepticon he works with. Starscream does nothing, but then he never did anything anyway. I’m not even going to mention Patrick Dempsey. But the biggest let down is with the movies main villain “Sentinel Prime”. Basically he is Optimus’ predecessor but he changed sides to the decepticons and made a deal with Megatron to bring life back to their home planet Cybertron. This is the driving element of the movie, but there are many plot holes from this. Early in the film Optimus basically says he wants to make Sentinel Prime leader of the autobots again, and offers him the matrix (an item that brings dead transformers back to life) but Sentinel Prime declines. Then he changes sides. Why did he decline taking the matrix? it would in definitely be a help in his ploy. Sentinel Prime gets numerous chances to kill Optimus once and for all, but like all lousy villains he delays his hand and Optimus lives.

The product-placement is out of control. I am not joking when I say there is a scene where Shia LaBeouf stops the movie to recite a Mercerdes Commercial

The annoying characters from the last movie are gone, save one. The little autobot who humped Megan Fox’s leg makes a return. Just be thankful there’s no Skids and Mudflap

The Down-Right Ugly

The acting here is a range from Tolerable to Impossibly-Bad. There are actors here that have been in some high quality material that just blatantly signed onto this because A) they wanted a paycheck B) they have nothing else on their schedules I mean John Malkovich and Frances McDormand are Oscar nominees who are so unbelievably bad in this movie they make Shia Lebeouf look like Laurence Olivier and Rosie Huntington-Whiteley is the stiffest most wooden actress i’ve seen in ages. John Turturro is awkward but after three movies I don’t care anymore.

Stereotypes a-hoy, not as prominent as before but it’s here. We have: Tyrese Gibson and some other black guy fist-bump and ridicule one another. We have LeBeouf call a Japanese man “Moto-Mushi-Ichi” and decepticons with dreadlocks. Plus that gay guy from the hangover makes an appearance as some loony scientist, but luckily Michael Bay had the sense to drop him out of a window.

Some visceral “American” moments, like using the moon landing to spark the movies plot. Also blowing up the statue of Lincoln to let Megatron sit on the chair instead. Since i’m British I didn’t care for these scenes that are obviously meant to say to American audiences: “These decepticons are blowing up America! Damn Them!”

In Conclusion, I may have some major complaints with this movie but it is a ton of fun. The movie delivers on everything it promises and everything you expect and not a single dull moment. If you loved the first movie, and loved the second movie (god help you) I can guarantee you will love this movie even more. I’d say the definitive summer film this year has been made clear.

So.. Viewing Audience.. Roll Out…

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