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Home » dir » David Marks Kill Katherine Mccarthy

All Good Things (2010)

ALL THINGS GOOD is a polished little film based on a true story that while it may not have the visual gruesome detail of the usual thriller tropes of films, it is terrifying in its presentation of personality variations that produce a shuddering reaction on a purely intellectual level for the audience. It is both a love story and a missing persons/murder mystery based on a still unsolved case that continues to haunt New York investigators and reporters and detectives.

What writers Marcus Hinchey and Marc Smerling have created from known and newly discovered facts, speculation and court records results in a psychological examination of a powerful New York family, obsession, love and loss. The film relates incidents that began in 1972 and end in 2003 and at this time the truth is still unknown. Director Andrew Jarecki uses a superb cast and a fine sense of voice-over narration to interweave the puzzling history with the gradual dissolution of each of the characters involved.

Sanford Marks (Frank Langella) is one of the wealthiest owners of Manhattan real estate, the current head of a family that has long dominated the New York scene with its power and money. Marks is aging and is relying on his son David (Ryan Gosling) to take over the family business: he sends David out to the brothels, and filthy hotels and porn houses to collect rent. David is reticent to be a part of his father’s business: he is a deeply disturbed young man, having witnessed his mother’s suicide leap as a child. David meets a tenant in one of the properties – Katie McCarthy (Kirsten Dunst) who longs to go to medical school but at present has no income to support that dream. The chemistry between the two is magnetic and despite David’s father’s objection that Katie is not of ‘their kind of people’, David decides to marry Katie and move to Vermont to open a Health Foods store – a move that makes the couple ecstatic, but is financed by Sanford Marks who eventually convinces David to sell his haven and move to New York to stay with the family business.

In their Manhattan home (and in their country lake front home!) the couple flourishes until Katie mentions she’d like to have children – a force that drives David back into violent behavior resulting form his witnessing his mother’s suicide: David can’t understand why Katie would want anything but the obvious life of wealth they enjoy. The shell is cracked and the subsequent events include Katie becoming pregnant only to be forced by David to terminate the pregnancy, Katie’s disappearance after uncovering the facts about the sources of wealth of the family, David’s descent into drugs and irresponsible behavior, and ultimately his leaving New York for Galveston, Texas where he lives a life disguised as a woman, his only friend being another old runaway Melvin Bump (Philip Baker Hall) who David engages to do away with a ‘problem confidant’ (Lilly Rabe), after which Bump is killed and dissected and tossed into the river. The murders are never solved nor is the mystery of Katie’ disappearance. A trial (the source of the voice-over throughout the film has been the lawyer’s interrogation of David in the year 2003) fails to resolve anything and the film ends with the message that David Marks is at present a real estate broker in Florida.

Frank Langella is superb as the heartless father who drives his family like cattle in the quest of power and wealth. Ryan Gosling offer a multifaceted performance of the deeply disturbed David and is match by Kirsten Dunst’s bravura performance as Katie, the simple bright girl whose life is quashed by a powerful family’s sickness. The brilliant cast, including the performances by Philip Baker Hall and Lilly Rabe – daughter of the deceased Jill Clayburgh), has excellent cameo roles by Diane Venora, Trini Alvarado, David Margulies, Nick Offerman and many more. This is a tough film to watch because at the bottom of it all is that it is true and the cases are unsolved. It makes us cringe but it is a very fine film.

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Your Highness (2011)

In the immortal words of Sidney Deane as played by Wesley Snipes in White Men Can’t Jump; ‘The sun even shines on a dogs ass some days…’. There I was minding my own business going to watch a man fire darts from his butt hole and in 3D no less, when a kindly lady with a clipboard asks me if I wanted free tickets to a screening on Wednesday. Being the sort that never looks a gift horse in the mouth and seeing the title of said movie on the clipboard I said ‘of course my good lady, I will relieve you of the burden of your tickets’. My details were taken and I was all set to see Your Highness on Wednesday. You see this is the latest film from David Gordon Green, the art-house director who turned his hand to comedy with Pineapple Express and stars Danny McBride, James Franco, Natalie Portman and Zooey Deschanel. I knew the premise and I couldn’t wait to see what they did with it.

The film begins with Prince Thadeus (McBride) in a dwarf village with his servant/sidekick Courtney, he has clearly upset the little people as he is about to be hanged. Due to a miscalculation about the length of the rope Thadeus and Courtney escape back to the kingdom where Thadeus’s brother Fabious (Franco) has returned from another successful quest after defeating the evil Leezar (Justin Theroux) and won the hand of his new bride to be Belladonna (Deschanel). The kingdom revels in Fabious’s success and once again the oafish Thadeus is pushed to the side, preferring instead to womanize and smoke wizard weed.

At the happy couple’s wedding Leezar returns and kidnaps the virgin Belladonna with the intention of impregnating her with a dragon when the twin moons are aligned (or as Leezar politely refers to it ‘The Fuckening’). Fabious must once again go on a quest to rescue his beloved with his trusty band of knights. Thaddeus is given a choice; go on the quest with his brother and man up or get out of the kingdom. So Fabious and Thadeus set off on the quest where they will encounter a village of nude savage women, A wizard puppet who is also a possible pederast,huge mythical snake beasts, a horny minotaur and vengeful vixen Isabel (Portman). Thadeus must learn to be a hero, handle a sword and woo the fiery Isabel who is on a quest of her own.

Your Highness could have so easily become just another spoof along the lines of Epic Movie or Meet the Spartans but surprisingly just as the action was treated seriously in Pineapple Express, the fantasy elements here are just as important as the comedy. The special effects and production design are very impressive and the film certainly looks epic using the country of Ireland as its backdrop. There are evil witches firing lightning all over the place, there are mechanical beasts right out of the original Clash of the Titans and there is a weird hand/pit/monster thing that is cool as hell. Its also mega gory, limbs are hacked off and there is plenty of blood. Of course there is silly humor, very silly. If you didn’t get Green’s last comedy you may struggle here although Your Highness is probably the better film.

This could well be the film that breaks Danny McBride into super stardom as he is the main star here. He delivers his lines in a pretty flawless English accent and the character is a classic spoiled loser who must learn to be a man. Just wait until you see the scene where he takes a trophy from a kill, its hilarious and gross. James Franco is being himself but also gets plenty of laughs jabbing away at the image of the handsome prince who writes poetry while also being handy with a sword. Portman is her usual brilliant self and for all her male fans there is a bathing scene that will get your temperature up. The main cast are supported by some more traditional thespian types. Toby Jones plays a creepy town crier type, Charles Dance is the king, Damian Lewis plays a treacherous knight and Justin Theroux nearly steals the whole thing as Leezar.

Previously best known for smaller roles in David Lynch films and writing Tropic Thunder, Theroux is a comic revelation here delivering many of the films best lines with prosthetic teeth and a hideous wig. I laughed a lot and loudly and so did the packed audience. The script is written by McBride with his frequent collaborator Ben Best and clearly they have a lot of affection for the 1980′s fantasy movies they (and I) grew up with. Films like Krull, Clash of The Titans, Hawk the Slayer, Willow, Conan and Beastmaster are all wonderfully homaged and never poked fun at. It really could have died on its ass for being so ambitious but in the hands of a craftsman like David Gordon Green it works wonders.

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One for the Money Review

The trailer would remind you of the forgettable The Bounty Hunter starring Gerard Butler and Jennifer Aniston with the former being the titular character whose target happens to be his ex-wife, having them bicker and run from various misadventures together. Reverse the roles in order to have a female bounty hunter going after an ex-boyfriend, and the stage is set for more of the same, no? Not quite. One for the Money has a lot more going for it, predominantly being a film written by and made by females for its intended audience, and being an engaging flick chick that wonderfully encapsulates a whodunnit.

Katherine Heigl seems to be on a successful roll on celluloid, and is in her element here in this romantic action adventure comedy as lead character Stephanie Plum, a rookie bounty hunter drawn to the profession only because she’s desperate for a job to pay off impending bills. An ex-lingerie model, we follow her transition from girly girl to a somewhat tough cookie ready to hold her own in her cousin’s business, where an added incentive is to hunt down and bring in her ex-boyfriend Joe Morelli (Jason O’Mara), a cop wanted for the gunning down an unarmed felon.

Yes one would expect the usual laughs coming from her inexperience in a new field, her constantly being outwitted by slier opponents in the big bad town of Trenton, New Jersey, and having that pitch perfect sexual charisma with her mark since they share a common romantic history before in their youths. But to my surprise One for the Money has a little bit more depth in its story than I would have imagined, playing out like a mystery with a crime at hand to solve, with Stephanie stumbling her way from fact to fact, interacting with various interesting caricatures who don’t bore, and plays out exactly like an 80s private detective film of old in spirit.

Written by Stacy Sherman, Karen Ray and Liz Brixius off the well received novel of the same name by Janet Evanovich, this probably accounts for a lot of female-centric focus on elements in the storyline, as well as director Julie Anne Robinson’s ability to center this very much like a chick flick, wrapped around an old fashioned whodunnit. I mean, only in a story with an attractive female protagonist would you have other females in the story either old, or matronly, and having not one but two hunks – Morelli and fellow alpha-male bounty hunter Ranger (Daniel Sunjata) – involved at the crossroads of her life. Plenty of characterization goes into the lead character of Stephanie Plum, and Heigl brings a certain sass to the role, with little street smarts that cover for her lack of experience in the field.

Granted the mystery doesn’t quite play out with that kind of tension and suspense as one would expect from a true blur genre film, but it does enough with its slight touch and managed to keep interest afloat. While there are 18 novels to date in the series of Stephanie Plum’s adventures in bounty hunting, with each novel title starting with a number / numerically related, reality is that any subsequent film will have to rely on how much this makes at the box office. My bet is that it’ll likely be something quite modest with a potential of 17 more films made only if Heigl wants to be stereotyped (if not already) or typecast. Still, One for the Money sits above average on the entertainment scale, and can be recommended fare if you’d give it a chance.


Fast Tube by Casper

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