• The Wicker Tree Review
     
     http://bartybooks.com/the-wicker-tree-review.htm
  • Man on a Ledge Review
     
     http://bartybooks.com/man-on-a-ledge-review.htm
  • One for the Money Review
     
     http://bartybooks.com/one-for-the-money-review.htm
  • The Grey Review
     
     http://bartybooks.com/the-grey-review.htm
  • The Front Line Review
     
     http://bartybooks.com/the-front-line-review.htm
  • Miss Bala Review
     
     http://bartybooks.com/miss-bala-review.htm
  • The Flowers of War Review
     
     http://bartybooks.com/the-flowers-of-war-review.htm

Movies under ‘Crime’

Man on a Ledge Review

As you’d expect, “Man on a Ledge” is a Swiss-cheese plotted heist and “prove his innocence” movie but taken as just that, it’s quite an enjoyable movie. I suppose after having seen enough of these kinds of movies, I shouldn’t expect perfection in how every plot thread is tied up since very few movies manage it. However, what the movie does excellently is setup the plot and build up the situation perfectly. Just starting as a literal man on a ledge, we see subtle layers added until we get this full on crescendo of diamond heists, negotiators, cops, convicts, bad guys, good guys all happening on in a single block in New York. So, given that you’re willing to suppress your tingling plot-hole sense, it can be an enjoyable movie.

The cast is quite good and the acting and tension is par for the course. The leads Sam Worthington and Elizabeth Banks do a great job. Seeing Worthington as an ex-NY cop, ex-convict and Banks as a negotiator/psychologist with a past is surprising on paper but they manage to pull it off very well. However, Jamie Bell is one of the heist-team but his opposite who plays Angie make for some cringe-worthy comedy, like some Sofia Vergara slapstick in the middle of a tense situation. Ed Harris looks emaciated but equally sinister as the villain and there are a host other minor NY characters.

I can hear the Hollywood pitch for the movie in my head, “it’s like The Negotiator combined with The Italian Job but happens in NY and instead of a hostage situation we have a jumper.” And, essentially it’s just that – a movie that heavily recalls other movies from the past except perhaps for the man on ledge. On a side note, it seems that every NY movie nowadays has a reference to the OWS movement and what a typical OWS protester might look like.

The movie is at its best when it clamors for our hero who desperate and is fighting all odds to clear his name as he shouts from his ledge, “I am innocent and this is my retrial.” The movie is at its worst when it’s ungainly roping in all the plot threads it cast out but can’t seem to put it together. Overall, it’s a good enough movie for people who like these kinds of movies. If you’ve caught yourself bitterly berating the many plot holes in heist movies, maybe this isn’t for you.


Fast Tube by Casper

every child is special plot, every child is special story plot

One for the Money Review

The trailer would remind you of the forgettable The Bounty Hunter starring Gerard Butler and Jennifer Aniston with the former being the titular character whose target happens to be his ex-wife, having them bicker and run from various misadventures together. Reverse the roles in order to have a female bounty hunter going after an ex-boyfriend, and the stage is set for more of the same, no? Not quite. One for the Money has a lot more going for it, predominantly being a film written by and made by females for its intended audience, and being an engaging flick chick that wonderfully encapsulates a whodunnit.

Katherine Heigl seems to be on a successful roll on celluloid, and is in her element here in this romantic action adventure comedy as lead character Stephanie Plum, a rookie bounty hunter drawn to the profession only because she’s desperate for a job to pay off impending bills. An ex-lingerie model, we follow her transition from girly girl to a somewhat tough cookie ready to hold her own in her cousin’s business, where an added incentive is to hunt down and bring in her ex-boyfriend Joe Morelli (Jason O’Mara), a cop wanted for the gunning down an unarmed felon.

Yes one would expect the usual laughs coming from her inexperience in a new field, her constantly being outwitted by slier opponents in the big bad town of Trenton, New Jersey, and having that pitch perfect sexual charisma with her mark since they share a common romantic history before in their youths. But to my surprise One for the Money has a little bit more depth in its story than I would have imagined, playing out like a mystery with a crime at hand to solve, with Stephanie stumbling her way from fact to fact, interacting with various interesting caricatures who don’t bore, and plays out exactly like an 80s private detective film of old in spirit.

Written by Stacy Sherman, Karen Ray and Liz Brixius off the well received novel of the same name by Janet Evanovich, this probably accounts for a lot of female-centric focus on elements in the storyline, as well as director Julie Anne Robinson’s ability to center this very much like a chick flick, wrapped around an old fashioned whodunnit. I mean, only in a story with an attractive female protagonist would you have other females in the story either old, or matronly, and having not one but two hunks – Morelli and fellow alpha-male bounty hunter Ranger (Daniel Sunjata) – involved at the crossroads of her life. Plenty of characterization goes into the lead character of Stephanie Plum, and Heigl brings a certain sass to the role, with little street smarts that cover for her lack of experience in the field.

Granted the mystery doesn’t quite play out with that kind of tension and suspense as one would expect from a true blur genre film, but it does enough with its slight touch and managed to keep interest afloat. While there are 18 novels to date in the series of Stephanie Plum’s adventures in bounty hunting, with each novel title starting with a number / numerically related, reality is that any subsequent film will have to rely on how much this makes at the box office. My bet is that it’ll likely be something quite modest with a potential of 17 more films made only if Heigl wants to be stereotyped (if not already) or typecast. Still, One for the Money sits above average on the entertainment scale, and can be recommended fare if you’d give it a chance.


Fast Tube by Casper

katherine mckarthy, kathryn marx murder, katie marke missing

Contraband Review

Contraband starts like “Gone in 60 Seconds”, but instead of boosting cars it’s about smuggling contraband, and like GI6S it’s because of an idiot younger brothers and familial responsibilities that brings an ex-criminal/smuggler out of retirement for that one last job. Chris our smuggler protagonist is deemed the Houdini of smuggling but in reality, he’s a general super bad-ass who can talk fast, kick ass and smuggle at superhero levels. We are then treated to the Mark Wahlberg show where it’s hard to imagine anything adverse happening to him and we just go along with the ride.

The movie is at its best after it sheds its GI6S intro and moves to the nitty gritty details of smuggling. The movie feels at home at sea where everything is calculated and ordered, but while on land, the movie is always bizarre, violent and out of control. This lends for some really angular storytelling that keeps the movie exciting and interesting.

It’s great to see Kate Beckinsdale in the movies again though she plays the wife whose main role is to look great and be in distress, a far cry from her iconic Underworld Selene or from her last movie Whiteout.

On the whole it’s a good action movie and if you liked Mark Wahlberg’s previous movies like the Italian Job and Shooter, you will also like this.

[http://www.youtube.com/watch?v=thQlU8wdCZE&feature=fvst]

detailsof mark r slaughter, tiffany starr dryden
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