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Home » dir » Buck Brannaman Horse Whisperer Liar

Buck

Greetings again from the darkness. I made a point to attend the opening night of the film as its subject, Buck Brannaman, was slated to hold an audience Q&A after the film. Unfortunately, he was running a bit late, so we only got about 8 minutes of his time. Still, this remarkable man made an impression … an impression of authenticity and realism. He may perform a “show”, but his is no “act”.

The inspiration for, and technical adviser on, the film “Horse Whisperer”, Buck Brannaman explains early in the film that a horse views a human tossing a saddle on his back much the way he would view a lion attack. Such is the manner in which this man makes his points to the eager and often doubting horse owners who attend his clinics. Buck then proceeds to win over horse and human alike with wit, strength, character, kindness and toughness.

First time documentarian Cindy Meehl does a decent job of presenting the similarities of horse training and child-rearing. Buck’s philosophy stems from the earlier work of Tom Dorrance and Ray Hunt, but is further influenced by the less-than-stellar parenting tactics of his father. Buck and his brother Bill (stage name Smokie) were child rodeo stars who performed rope tricks under the firm hand of their dad. It is clear from the footage that they feared their father. In an unlikely twist of fate, the boys are rescued from the abusive environment thanks to the actions of a football coach and deputy sheriff. To fully understand the brave actions of these two men, one must take into account the normal custom in rural America of minding one’s own business. These men didn’t do that and Buck was given a new life.

Watching a quick clip of the “old” horse training techniques really brings home Buck’s more gentle and understanding style. He stresses the importance of understanding the horse and being clear with one’s affection and intentions. His flag waving and lead rope actions can win over a horse in a short time. The surprising part is that the horse’s owner learns every bit as much as their horse. Buck is clear in that the issue with most “problem” horses can be tracked right back to the owner. The same can be said for most kids. Just as he says trying to bribe a horse with carrots and sugar leads to a spoiled, unresponsive horse, the same argument can be made for that type of parenting approach.

The frustrating part of the film is that it doesn’t really climb inside the head of Buck. We see a glimpse of a man who has overcome childhood atrocities, but we also see a man who loves his family … yet spends months at a time away from them. We see fire in his eyes as he addresses a horse owner who has the gall to keep 17 studs in her pasture. It’s obvious he fights his own demons towards those who mistreat animals, yet as he lectures we wonder if his care is really for the horse more than the person. It was also strange that no real mention of his brother was provided in the film. We could say it’s none of our business, but the film brings up the issue of childhood and then leaves us hanging on the brother.

Truly the inspiration to Buck’s turnaround is his foster mother. She lights up the screen as she talks about Buck as a child and cracks wise with her observations and the telling of a joke. Her love for Buck is obvious and we hope he realizes just how fortunate he is to have had her in his life.

This is an inspirational man who is making a difference in the lives of people and horses. He has overcome childhood obstacles to make the world a better place. His cowboy philosophy is pretty simple. Everyone carries some darkness and baggage, and we can all make our own choices on whether to let that affect our value and enjoyment in life.

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Zookeeper (2011)

After reading some of the reviews for this movie, it is absolutely clear that most of the previous reviewers didn’t get the point of the movie. It is a FAMILY movie.

You don’t go to movies to see what you can pick apart, and then write a review that is already predisposed negatively against it. That’s just stupid. Anyone who goes into a movie with the attitude they are going to hate the movie no matter, and writes an extremely negative review is an idiot. The reason to go to movies is to be entertained.

Zookeeper was a movie that entertained. The performances by all the cast members were very well done. There were a lot of laughs, and there was a lot of fun. My son, who by the way is 7, was in the perfect demographic for this movie. It had interesting characters, and situations.

For an adult, a movie with talking animals might not be your cup of tea, but for a small child, it is awesome. Yes, a child thinks it’s funny when someone smashes into something or someone. Yes, for an adult, the movie might seem predictable, but truthfully, what movie isn’t somewhat predictable? A young child (for whom the movie was made for) isn’t going to be scrutinizing every tiny, single thing in a movie, just to say, ” A-HA! SEE, I KNEW IT!”. A child goes to the movies to be lost in imagination. My son laughed when there was a funny part. Whether it was funny because of the animals, or the humans, I heard a lot of laughter. And yes, I laughed a lot too, and so did my wife.

I believe that anyone who goes into this movie with the understanding that this is a movie targeted towards families with young children, that they will be entertained. This movie hits the mark for the appropriate audience members it was made for.

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The Devil Inside Review

The movie is only about an hour and 15 minutes. Nothing after the credits and the credits are the slowest scrolling credits I’ve ever seen in my life. My assumption is that it scrolled so slowly because there weren’t a lot of people who worked on the film (since the cast was small and budget was low) and they didn’t want the run time to be so short as to devalue the movie and discourage people from paying to see it; thinking they wouldn’t get much bang for the buck. I guess they had to do something to extend it and this is what they chose.

It’s filmed in a found footage/documentary style that works for the movie. It doesn’t use too many cheap or jump scares. The only bad acting belonged to the chick who played Isabella Rossi. The most important character in the entire movie is actually the person filming everything named Michael and he gets the least amount of face time and dialogue. None of the footage would even exist if he wasn’t filming. Therefore, without him, no movie. He does express that during an MTV’s Real World type confessional. There actually is a story here. It’s not just a bunch of things happening on screen with no rhyme or reason. The story itself is very good. I like it. It’s not necessarily original but the way the movie ends, if there is a sequel, it would have to be filmed in a more traditional movie-making style. That means no found footage. I just gave something away if you’re paying attention.

There are intentional holes left in the movie that can only be answered with a sequel. Like Maria Rossi’s possession. Why was she chosen to be possessed, why did the demon who possessed her make her do what she did, and which demon possessed her? I think exorcism as a whole could be explored more since part of the theme of this movie is the law surrounding the act of exorcism and how it needs to change. Another theme is distinguishing between mental illness and possession; a separation of science and religion. I liked what they were doing here by exploring other aspects of an overused genre but all the questions weren’t answered. That’s not a bad thing. A different twist is similar to what was done in the movie Fallen and that concept was explained during the movie.

If you’re gonna see this, and I’d give this a thumbs up to see it, then go when there’s gonna be less people in the auditorium or see it at a reputable theater and that’s what I recommend for every movie anyway. This movie ain’t worth full price. Catch a matinĂ©e or half price or something. Dollar movie works too. It’s worth seeing in theaters.

This movie didn’t back down on violence. Just when I thought they weren’t gonna show certain things, they showed it and I appreciated that. No watering down here although I believe some brief nudity in one scene would have added to the realism. This also reminds me of REC but this isn’t anywhere near as good as that. REC, when watched under the right conditions, will stay with you for a while. It burns an image into your head that doesn’t go away and that’s what a good horror movie is supposed to do: make you look over your shoulder and around corners and through shower curtains and keeps you awake at night. REC does just that and gives a compelling story. This also has a good story that I’d really like to see continued if it makes enough money because, similar to REC, it appears there’s something bigger going on and this first installment only scratches the surface. It teases more and I believe it can deliver with a second movie.

The way the movie ends, there was a collective sigh of disappointment. It leaves you wanting more and since that’s what made people disappointed, I’d say it did its job. It also makes you wonder because there is something that happens in that last scene and you don’t know who the survivor is. That’s all I’ll say about that. The last scene was unique and a bit funny given the circumstances, I’ll give it that much. It was original. If that last survivor is who it should be, then we have a sequel if they ever make it and I’d love to see it at an equal or better level of quality. No complaints about the special effects which weren’t that many to begin with. I give this 7 out of 10 stars. Not a bad movie. Worth seeing. Not too scary but I’m sure some people will be affected by certain scenes because it doesn’t use too many tricks to get the job done. It has a very creepy scene that affects you as if you were watching the movie Session 9. It’s short but effective and that describes the entire movie. Just make sure to watch this with the right people in the right environment.


Fast Tube by Casper

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