• The Secret World of Arrietty
     
      http://bartybooks.com/the-secret-world-of-arrietty.htm
  • Gone
     
      http://bartybooks.com/gone.htm
  • Wanderlust
     
      http://bartybooks.com/wanderlust.htm
  • This Means War
     
      http://bartybooks.com/this-means-war.htm
  • Ghost Rider: Spirit of Vengeance
     
      http://bartybooks.com/ghost-rider-spirit-of-vengeance.htm
  • The Vow
     
      http://bartybooks.com/the-vow.htm
  • Safe House
     
      http://bartybooks.com/safe-house.htm

Posts Tagged ‘Tom Hanks’

Larry Crowne (2011)

While I was scrolling through the different titles available this weekend, I chanced upon “Larry Crowne”. Looked it up on IMDb; not so good – an average of 5/10. Scroll down further and voilĂ ! Written by Tom Hanks himself, gotta see it. And I’m glad I did.

First, let me get the ‘acting’ part out of the way – It’s good. Not mind-blowing, but most certainly good enough to be worth the US$9 weekend price of a movie ticket here in Singapore. The actors were good enough that I felt connected, and that’s as good as it ever has to be.

As for the plot – nothing jaw-droppingly complicated and twisted, but then again neither was Forest Gump. And what a big success that movie proved to be. Don’t expect character development to blow you away, but it did, at the very least, impress me.

Of course, if you walk into the theater expecting “Harold & Kumar” or “Chuck & Larry” humor, you would most definitely be sorely disappointed. Some others have criticized the film, saying that it had “cheap laughs” at best. Now that isn’t necessarily true, because it all depends on what your expectations are.

So hear this – Larry Crowne isn’t an all-out-LOL-fest, it’s a wholesome film sprinkled with subtle, clever, and thoughtful humor.

In my opinion, this film was an excellent cross-section representation of the sandwiched American Middle-class – too rich to qualify for welfare, too poor to save any money. Most people (outside the United States) wouldn’t know the America shown throughout this film – where folks are priced out of their own states, where they attend community colleges that aren’t crazy over keg parties and crawling with bikini-straddling blonds, where students have to juggle work and school, where they might have to choose the former over the latter too often.

Hollywood glamorizes the American lifestyle each and every chance it gets, and this film provides a rare glimpse into the real America where most people reside.

All things considered, I would consider this film a feel-good movie, and there’s much more to it than meets the eye. If you enjoyed Forest Gump, you’d most likely enjoy this one – even if the feel-goodness sets in slightly more subtly.

One final thing – I’ve never written a review for any movie before, ever. But I felt that the reviews here (as of 9th July 11) were doing Larry Crowne such injustice that I had to write this to balance it out.

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Saving Private Ryan (1998)

I’d heard a couple of startling things about this film before seeing it. I’d heard that many veterans were having a hard time getting through the film without breaking down. I’d also seen interviews with veterans who’d seen the film and found the film to be incredibly realistic and consequently difficult to watch. Intriguing comments, since we all know there is no shortage of films about war from this century.

There are not many films that I’ve seen that have actually made me physically react to the action on screen. I’m not speaking of the three-dimensional variety either. What I mean to say is this film had me contorting and cringing at the gripping, horrifying action on screen. Somehow the extreme violence can be justified as the whole world knows that this is an important chapter in human history and a startling, graphic depiction only adds more weight to the seriousness of the subject matter. I’d have to say this is probably one of the most important films of the 20th century because of its frank approach to one of the darkest periods of our time on this earth.

I am always deeply moved and fiercely proud when given cause to consider those that gave their lives to protect our way of life and liberate those that already suffered dislocation, imprisonment and attempted genocide. These soldiers were truly noble and deserve our deepest gratitude. This sentiment is a common one, and will go some lengths to explain why this film has meant so much to so many.

Even with the attention to detail and care taken into how it was shot to accentuate to the fullest degree its realistic approach, it is still hard to imagine what it must have been like to be part of a war. But this film goes a long way to help your mind get around it. It’s hard for me to say what kind of impact the cinematography would have on someone watching it on the small screen of a television versus the big screen, but from my perspective, this film really does benefit from a theatrical presentation.

What “Saving Private Ryan” does extremely well, is show the world the harsh reality of war without pulling any punches. The story about a squad of soldiers sent to retrieve the surviving brother of three dead soldiers is told with competency and due reverence from all perspectives of the characters involved. It is an uncommon and intriguing drama, but it serves as an excuse to describe a setting, rather than the other way around. The story manages to move us through all sorts of different landscapes and scenarios, giving us an unforgettable glimpse of a world unknown to most of us, and terrifying to those who are familiar with it from personal experience.

Rating: 9/10

Toy Story 3 (2010)

The best magic tricks in the world are ones that cannot be unraveled, reverse engineered or dissected to figure out exactly how they are pulled off. This philosophy is doubly applicable to Pixar’s “Toy Story 3″, the storyline-ending outro of the beloved Toy Story, uh, story.

I feel it relevant somehow to divulge my age, as it somehow validates the powerful emotions evoked throughout the film. I am a 28 year old male, who, fifteen years ago, was fresh into the teen years of supposed adolescence at the release of some weird, 3d animated movie (wait, they can animate with computers?) entitled “Toy Story”. This was a pretty bold move, a calculated stroll to the edge of the cliff and a daring leap off into the thin air of creativity and innovation. And it was a hit, ensuring 3d animation a place right alongside (more or less) 2d animation. And naturally, Pixar would be at the forefront, leading the cavalry charge of digital animation ranging from great to gawd-awful.

“Toy Story 3″ starts off as comfortably as possible, with our friends Woody and Buzz Lightyear doing what they do the best…playing with Andy in his world of make-believe adventure. We are then treated to some familiar Pixar progression, like abandonment, solidarity, coming back to friends, and the passing of the torch. Clearly, in the eleven years between this point and when “Toy Story 2″ wrapped, a computer revolution or four has occurred, allowing a world of unsurpassed clarity, reality and imagination to shine through like never before. TS1′s spark is TS2′s candle, and that in turn is TS3′s blazing sun.

Roll the last fifteen minutes of film. It became clearly obvious that the figurative tables have been turned, because a good number of the adults in the audience (including myself) were sniffling and teary-eyed, while the kids were looking up, likely thinking “jeez mom and dad, they’re just toys, get over it”.

Wasn’t it conventional wisdom that just the kids get emotional over losing plastic playthings? With “Toy Story 3″, Pixar has shown us one of the greatest magic tricks in modern showbiz history, likely not to be outdone or duplicated, that we all have very real and deep connections to our childhoods and to the things and people that allowed us as kids to be free, and innocent, and pure, and most importantly, to dream. This, to me, is a life lesson worth remembering, to infinity and beyond.

Ratings : 8.5/10

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