• The Secret World of Arrietty
     
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  • Gone
     
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  • Wanderlust
     
      http://bartybooks.com/wanderlust.htm
  • This Means War
     
      http://bartybooks.com/this-means-war.htm
  • Ghost Rider: Spirit of Vengeance
     
      http://bartybooks.com/ghost-rider-spirit-of-vengeance.htm
  • The Vow
     
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  • Safe House
     
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Posts Tagged ‘Jason Segel’

The Muppets Movies Reviews

The Muppets may quite possibly be one of the best movies of 2011. I don’t just mean that as a fan. The Muppets had everything spot on – it was clever, entertaining, adorable, heartwarming, and absolutely hilarious. The magical thing though is that The Muppets pleases everybody — average moviegoers and Muppet purists alike, and that I believe is its greatest triumph. On one side is a modern comedy, chock full of hysterical celebrity cameos and pop culture references. And on the other side is a nostalgic throwback to the Muppets era. Those who remember the old series will unquestionably find delight in seeing their favorite puppets reunite for another big show, literally.

Funnily enough, the movie treats the Muppet characters as if they were real life actors, with The Muppets shows and movies being their past careers. The Muppets haven’t seen any action in years (a fact also true in real life), and each muppet has taken his/her own path in life with varying degrees of success. When crisis arises, the old troupe is forced to find each other and give it another go.

It is all weaved through a fascinating metanarrative that begs the question, what happens to the Muppets when they aren’t The Muppets? After all this time away, can The Muppets make a comeback through a reunion and relive their former glory days? – a question ultimately answered by the movie itself.

The film opens with a common puppet named Walter, whose childhood consists of watching The Muppets and dreaming of joining them. His older brother Gary (Jason Segel) extends the invitation to come with him and his girlfriend of 10 years Mary (Amy Adams) to Los Angeles so that he can visit the Muppet studio. Much to his disappointment, the Muppet theater is abandoned and Walter even overhears an oil tycoon’s (Chris Cooper) plot to tear down the place. Walter and Gary quickly seek out Kermit the Frog to reunite the Muppet crew and remedy the situation, but all the while Mary is upset that the turn of events is ruining her 10 year anniversary with Gary.

As you can imagine from the premise alone, the movie is a tribute to the Muppets in every sense. It travels respectfully through the old Muppet history, and relives it instead of trying to replace it. In fact, seeing how each one branched off from the group like members of an old band and “grew up” gave, I would say, substantially more character to each Muppet than they ever had before. I think fans will agree that this is the best possible way the muppets could have returned.

Simply put, I can’t imagine anyone with a heart not enjoying this film. There’s something in it for everybody, especially if you’re in the mood for laughter and catchy musical numbers. The creative humor was a breath of fresh air. There is plenty breaking of the fourth wall and oh so much of that lovely deadpan irony and absurdist humor, reminiscent of old comedies like Airplane! The audience in the theater was cracking up almost every other moment, myself included. And while humor is its strong suit, the movie is also an incredibly heartwarming tale of friends that go their separate ways but are still connected through their hearts. Moviegoers and Muppet fans alike, go see this movie!


Fast Tube by Casper

Bad Teacher

Bad Teacher is a great concept that resulted in a style of humor like most of the Adult Swim cartoons you see today: When the jokes hit they hit well, but when they miss, they miss quite badly. The cast was delightful, but could only go so far with the material. As a matter of fact, it was the cast that saved the movie from being a total disaster by providing their comedic chops, their charm, and their good comic timing that you don’t see enough of nowadays. Despite all that however, Bad teacher is a shiny apple with a few rotten parts.

Elizabeth Hasley (Cameron Diaz) is a foul-mouthed, bitter, and quite nasty teacher that is keeping the job only to pay the bills after her rich fiancée dumps her. Facing debt, aging, and loneliness, Elizabeth starts setting her sights on a boob job and on a new (rich) teacher (Justin Timberlake), whom has also captured the attention of a manipulative rival (Lucy Punch). The script was helmed by two veteran writers of The Office (Gene Stupnitsky, Lee Eisenberg) as they use their non-television ratings boundaries to mix plenty of vulgar and raunchy humor with even some tidbits of cruel humor. Unfortunately, their lack of boundaries led to a mediocre script.

This film’s biggest falters come in the form of the script. Despite the promise in the premise and the cast involved, the script was convoluted, and didn’t have much structure until the second half. As a matter of fact, the film switches up the pace very unexpectedly when the next act approaches. Pretty much almost all the crude and vulgar humor failed to draw laughs, with one notable exception involving one of the odder “sex” scenes in recent memory. The movie was a great idea not exactly explored upon, and was full of smaller ideas that were not utilized. Many good smaller characters did not get enough time in the script; most notably the students, the gym teacher (Jason Segal) and the main character’s roommate (Erik Stonestreet).

Despite the writing being a fickle mess, the cast was superb, from the small roles to the big ones. Cameron Diaz I can honestly say is one of the most underrated talents in Hollywood, because she rarely ever delivers a mediocre or weak performance. She has this aura, this energy that can save the worst of films (See: What Happens in Vegas) and it is no different here. Despite her smoking/drinking/vulgar/manipulative/cynical/cruel/superficial ways, we still secretly root for her to succeed in reaching her goal. Very few actresses can pull off this type of charm.

Lucy Punch, despite having a bit of questionable material, delivers as Diaz’s rival. Jason Segal could have helped the movie a lot more if he was in it more often, as he delivered the laughs every time he was on-screen with his wit, sarcasm, and I-don’t-care attitude. Television staples Phyllis Smith and Erik Stonestreet were hilarious in the far-too-few moments they were on-screen. The movie does indeed have its laughs, but the potential was so much greater considering all the talented actors involved.

Jake Kasdan as a director doesn’t have much of a resume, but he does have the comedic chops and timing, and he proved this with the underrated Walk Hard. With Bad Teacher, he did not have as much good material to work with but could have still helped the movie if he had tightened the first third of the movie better. There was a lot more unnecessary fluff in the first half of the movie compared to the second half. Smaller plot lines were never resolved, certain jokes literally fell off without a punchline, and certain situations were brought up but never explored. Many concepts were also never explored: especially that of how shallow and shady we all become towards each other in the workforce.

Bottom Line: Bad Teacher was a great idea, poorly executed, but relentlessly saved by the energetic cast. This movie could have mixed the dark charm of Bad Santa with the subtle workforce ridiculousness humor of Office Space to become something very, very special. But neither style of humor was dwelled upon deep enough. The first half had its laughs, but was far too convoluted and was salvaged mainly because of the hilarity of Cameron Diaz. The movie definitely picks up later, but by then its too late, the potential was wasted. Either way, you will certainly laugh, you will remain entertained, but will also be bothered by what it could have been.

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Gulliver's Travels (2010)

Ever since I saw the trailer I wanted to see Gulliver’s Travels. I love Jack Black. I love Amanda Peet. I love the story. Turning Gulliver’s Travels into a 3D movie seemed like an excellent idea… at first.

The story begins in New York. Jack Black – Star Wars and Guitar Hero geek – has been working for ten years in the mailroom of a big publishing company. He’s secretly in love with an editor for travel stories (Amanda Peet) and applies for a writing job just to impress her. He gets it eventually by stealing text from an article from the Time Out website. Soon he heads for the Bermudas for his try-out assignment, writing about a man who knows the secret of the Bermuda Triangle. Jack almost dies in a big storm and ends up on a beach surrounded by mini people. Yes, Jack has arrived in Lilliput Land where he will become the hero who saves the land from a nearby evil kingdom. No spoiler there.

Jack Black is the guy you love to love. And as a fan you really hope that Gulliver’s Travels is as good as the trailer promises. Unfortunately, it isn’t. Although Jack must use his dick to stop a catastrophe (like in the original book)and he gets a tiny Lilliputian right in his arse, this actually is a family friendly movie. Too bad, I think, because the story that is presented is too safe to be satisfactory entertaining and is almost without any suspense or surprises. The best part is the opening credits. Here we see famous scenes from Manhattan filmed with a special camera lens so it all resembles a miniature city. It’s an almost poetic beginning that is in firm contrast with the rest of the story, that seems chaotic and rushed.

When Jack arrives in Lilliput Land he does all the things you expect him to do. He starts out as a prisoner. Becomes the hero. Falls out of grace and leaves the Lilliput island, only to return and be the hero one more time by entering a Wild Wild West like confrontation. Some of the fun scenes with the tiny Lilliputians really work. The table-soccer scene for instance, as seen in the trailer. And there’s also a nice scene in a theater that includes some funny spoofs on famous 20th Century Fox movies like Empire Strikes Back and Titanic. In Lilliput Land Jack makes his own Times Square, complete with posters from famous movies and musicals. Real funny.

The problem with Gulliver’s Travels is that all the elements are there. The advantages of being a giant. The love story. The scene with the boats on a string. But why is the story so unimaginatively predictable? Just when things become interesting, a different problem should be solved by our hero. The story goes to the left, then to the right and could therefor use more scenes that prepare you for all the exciting things that are about to happen. Nice example of this is when Jack gets banned from Lilliput island. He’s moved away by boat and arrives in a land not filled with tiny people but with very… well, you can do the maths. It all happens so sudden and his escape from this island goes even faster. No suspense here. And then the main love story. That Jack Black really fancies Amanda Peet, that I can understand. I also believe the fact that Amanda Peet thinks Jack Black is a real nice bloke. But that she’s secretly in love with him as well… mmm, that wasn’t convincing at all.

True. Gulliver’s Travels wasn’t made to earn Oscars. And in the end it’s a nice family movie for the upcoming holidays. But with a better script, better editing, a less moralistic ending and a more outrageous Jack Black this could have been big. Now it’s just another blockbuster special effects comedy that you will almost have forgotten the moment you leave the cinema.

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